I wanted to create a believable feeling for 18th Century reality in the Perfume: The Story Of A Murderer. I didn't want this typical film feel of strange people in strange costumes, not really knowing what to do or how… — Tom Tykwer Copy Share Image
If you then cast a somebody, playing a nobody is always an additional effort. But that was not the reason we cast him. It… — Tom Tykwer Copy Share
I love that contradiction between the ugly and the nice. It's shot in a very gourmet way in the Perfume: The Story Of A… — Tom Tykwer Copy Share
Perfume: The Story Of A Murderer - is exactly the movie that I was dreaming of. Nobody influenced us in the direction we took,… — Tom Tykwer Copy Share
Alan Rickman has a huge presence in the Perfume: The Story Of A Murderer and takes an enormous amount of space with no effort.… — Tom Tykwer Copy Share
With Dustin Hoffman, I just enjoyed the fact he was this flamboyent and very ironic person that still followed my desire to make Baldini… — Tom Tykwer Copy Share
I saw Ben Whishaw playing Hamlet at the Old Vic and straight away had a very strong sense that he might be the end… — Tom Tykwer Copy Share
I was lucky I guess. My main job was done when I finally found Ben Whishaw and knew that there was someone who could… — Tom Tykwer Copy Share
I actually met a producer of Stanley Kubrick's who told me that Kubrick had never even thought about doing Perfume: The Story Of A… — Tom Tykwer Copy Share
I think ultimately one would say that the most difficult part of the Perfume: The Story Of A Murderer is the balancing of the… — Tom Tykwer Copy Share
I wanted to create a believable feeling for 18th Century reality in the Perfume: The Story Of A Murderer. I didn't want this typical… — Tom Tykwer Copy Share
