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One may enter the literary parlor via just about any door…

“One may enter the literary parlor via just about any door, be it the prison door, the madhouse door, or the brothel door. There is but one door one may not enter it through, which is the child room door. The critics will never forgive you such. The great Rudyard Kipling is one of a number of…” quote by Michael Ende
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“One may enter the literary parlor via just about any door, be it the prison door, the madhouse door, or the brothel door. There is but one door one may not enter it through, which is the child room door. The critics will never forgive you such. The great Rudyard Kipling is one of a number of people to have suffered from this. I keep wondering to myself what this peculiar contempt towards anything related to childhood is all about.”

Michael Ende

About This Quote

This interpretation was drafted with AI assistance. It is one reading of the quote, not the author's own explanation.

The author critiques societal disdain for child-related topics, noting that only the “child room” is off‑limits, reflecting broader cultural contempt.

In simple terms: Society avoids discussing childhood topics.

Key Takeaway

Challenge taboos about childhood.

Themes

culture taboos childhood literary criticism

Mood

critical thoughtful

Type

analytical philosophical

When to use this quote

  • Educational curricula
  • parenting workshops
  • media analysis
  • creative writing prompts

Key Concepts

Social norms psychology of avoidance literary theory

Questions to Reflect On

  • Why is childhood often censored?
  • How does this affect artistic expression?
A Different Perspective

Some may argue protecting children is necessary.

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