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And I *know* I wrote in the above that I hate biographies…

“And I *know* I wrote in the above that I hate biographies and reviews that focus on the psychological, surface detail, especially when they pertain to women writers, because I think it’s really about the cult of the personality, which is essentially problematic, and I think simplistically…” quote by Kate Zambreno
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““And I *know* I wrote in the above that I hate biographies and reviews that focus on the psychological, surface detail, especially when they pertain to women writers, because I think it’s really about the cult of the personality, which is essentially problematic, and I think simplistically psychologizing which biographies are so wont to do is really problematic, and dangerous, especially when dealing with complicated women who just by being writers at a certain time and age were labelled as nonconformist, or worse, hysterical or ill or crazy, and I think branding these women as femme fatales is all so often done. And I know in a way I’m contributing to this by posting their bad-ass photos, except hopefully I am humanizing them and thinking of them as complicated selves and intellects AND CELEBRATING THEM AS WRITERS as opposed to straight-up objectifying. One particular review long ago in Poetry that really got my goat was when Brian Phillips used Gertrude Stein’s line about Djuna Barnes having nice ankles as an opener in a review of her poetry, and to my mind it was meant to be entirely dismissive, as of course, Stein was being as well. Stein was many important revolutionary things to literature, but a champion of her fellow women writers she was not. They published my letter, but then let the guy write a reply and scurry to the library and actually read Nightwood, one of my all-time, all-times, and Francis Bacon’s too, there’s another anecdote. And it’s burned in my brain his response, which was as dismissive and bourgeois as the review. I don’t remember the exact wordage, but he concluded by summing up that Djuna Barnes was a minor writer. Well, fuck a duck, as Henry Miller would say. And that is how the canon gets made.””

Kate Zambreno

About This Quote

This interpretation was drafted with AI assistance. It is one reading of the quote, not the author's own explanation.

The author critiques how biographies and reviews often reduce women writers to stereotypes, emphasizing personality over intellect, and how this shapes literary canon formation.

In simple terms: Women writers are often oversimplified and objectified in criticism.

Key Takeaway

Recognize and celebrate writers for their work, not their persona.

Themes

gender bias literary criticism canon formation feminist perspective stereotyping

Mood

critical reflective defiant

Type

analytical opinion personal essay

When to use this quote

  • literary reviews
  • academic curricula
  • publishing decisions
  • media coverage
  • book marketing

Key Concepts

psychologizing cult of personality objectification reductionism canon building

Questions to Reflect On

  • How can critics balance personal context with artistic merit?
  • What steps can institutions take to diversify the canon?
A Different Perspective

The critique may overlook positive aspects of personal context in understanding an author's work.

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