Those who visited that exhibition-room found an auto-de-fé…
““Those who visited that exhibition-room found an auto-de-fé of immense skies in ignition, globes blotted out by bleeding suns; hemorrhages of stars, flowing down in purple cataracts over tumbling tufts of clouds. Against this background of terrible din, silent women passed, nude or appareled in jeweled stuffs, like the bindings of the old Evangelists; women with hair of shaggy silk, with pale blue eyes, hard and fixed, and flesh of the frozen whiteness of milk; Salomes holding, motionless upon a platter, the head of the Baptist, which shone, soaked in phosphorus, under the quincunxes with shorn leaves, of a green that was almost black; goddesses galloping on hippogriffs and streaking, with the lapis lazuli of their wings, the agony of the clouds; feminine idols, in tiaras, upright on thrones, at the top of stairs submerged in extraordinary flowers, or seated, in rigid poses, upon the backs of elephants with green-mantled foreheads and breasts strung with pearl-ropes like cavalry bells, stamping about upon their own heavy image, reflected in a sheet of water and splashed by the columns of the ring-circled legs!””
About This Quote
This interpretation was drafted with AI assistance. It is one reading of the quote, not the author's own explanation.
A vivid, chaotic tableau of surreal, decadent imagery that blends celestial catastrophe with erotic and mythic figures, reflecting the protagonist’s obsessive aestheticism and inner turmoil.
In simple terms: A wild, fantastical scene mixing cosmic disaster with sensual and mythic symbols.
Embrace the power of imagination to confront inner chaos.
Themes
Mood
Type
When to use this quote
- art criticism
- creative writing
- theatrical set design
- psychological analysis
- fantasy worldbuilding
Key Concepts
Questions to Reflect On
- How does sensory overload affect emotional response?
- What does the juxtaposition of divine and profane suggest?
The extreme detail may overwhelm readers, obscuring narrative clarity.