But I drew the line, one evening, at Jerry O'Keefe's, the…
““But I drew the line, one evening, at Jerry O'Keefe's, the fish-shop where people crammed in late for hot plates of peas and chips and yellow-battered fish, in a kind of boiler house of steaming fat, after the last cinema show or the old theatre. 'But why?' she said. 'Why? It looks fun in there.' I said I did not think it the place for her, and she said: 'You talk like a parson or something. You talk just like old Miss Crouch.' 'I'm not taking you,' I said. 'Why? If it's good enough for these people it's good enough for us, isn't it?' 'No.' 'That's because you're really an awful snob,' she said. 'You're too uppish to be seen in there.' 'It's not myself,' I said. 'It's you.' 'Are you going to take me or aren't you?' she said. 'No,' I said. 'I'm not.' She turned and walked down the street. I stood for a moment alone, stubbornly, watching her swinging away into darkness out of the steamy, glowing gas-light. Then I had a moment of sickness when I felt she was walking out of my life, that I had given her impossible offence and that I should never see her again. 'Wait,' I said, 'wait. Don't go like that. I'll take you.””
About This Quote
This interpretation was drafted with AI assistance. It is one reading of the quote, not the author's own explanation.
A lover refuses to join a low‑status venue, fearing social judgment, but later regrets the loss of connection.
In simple terms: She worries about class and image, then feels remorse for pushing someone away.
Consider how pride can cost relationships.
Themes
Mood
Type
When to use this quote
- dating
- friendship
- social gatherings
- personal growth
Key Concepts
Questions to Reflect On
- What would you have done differently?
- How does fear of judgment affect your choices?
Pride may blind us to genuine connection.