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Seen from the point of view of the composer, the most…

“Seen from the point of view of the composer, the most nonsensical practice is that of casting people in musicals who are unable to sing. No one would cast a dancing part with someone who cannot dance sufficiently to come up to professional standards. The same is true of acting. But when it comes…” quote by Ernest Gold
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“Seen from the point of view of the composer, the most nonsensical practice is that of casting people in musicals who are unable to sing. No one would cast a dancing part with someone who cannot dance sufficiently to come up to professional standards. The same is true of acting. But when it comes to singing, more often than not it is amateur night. . . . Either musicals should be written for specified performers in the first place, or they should be cast with people who are adequate to its dancing, acting and singing demands.”

Ernest Gold

About This Quote

This interpretation was drafted with AI assistance. It is one reading of the quote, not the author's own explanation.

Casting non‑singers in musical roles is illogical; performers should match the required skills.

In simple terms: Cast performers who can sing, dance, act.

Key Takeaway

Match talent to role demands.

Themes

theatre casting skill matching musicals authenticity

Mood

critical practical analytical

Type

Acting:1 Adequate:1 Casting:1 Casts:0 Come up:0 Composer:0 Dance:1 Dancing:1 Demand:0 First place:0 Firsts:0 Music:1 Night:0 Nonsensical:1 People:1 Performers:1 Point of view:0 Practice:0 Should:0 Singing:1 Standards:1 Theatre:1 Views:0 Written:0 Dancing Acting:0 Acting Singing:0 Nonsensical Practice:0 Specified Performers:0 Musicals Written:0

When to use this quote

  • auditions
  • production planning
  • director decisions

Key Concepts

artistic integrity performance standards creative direction

Questions to Reflect On

  • How can training expand talent pools?
  • When is flexibility acceptable?
A Different Perspective

Strict casting may limit diversity.

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