I try hard to give rhythm to the changes of pace in a film…
““I try hard to give rhythm to the changes of pace in a film so that the directing is full of contrast: moments when the direction is reserved and academic, and then suddenly there’s a change in tone. Here’s what I dream of: that the viewer in the movie theater says to himself, ‘yeah, okay, it’s filmed theater,’ and then suddenly changes his mind: ‘yes, but in theater you can’t do that…’ And it goes back and forth from theater to film, and sometimes over to comic strips with Blutch ‘s input. I’d like to try to achieve what Raymond Queneau called in Saint-Glinglin ‘ la brouchecoutaille ,’ a sort of ratatouille, by breaking down the walls between film and theater and thus ending up totally free.””
About This Quote
This interpretation was drafted with AI assistance. It is one reading of the quote, not the author's own explanation.
Resnais describes blending cinematic and theatrical techniques to create dynamic contrast, aiming for a fluid, genre‑bending experience.
In simple terms: Mix film and theater for fresh storytelling.
Key Takeaway
Experiment with cross‑medium storytelling.
Themes
creativity
genre‑blending
visual storytelling
Mood
inspired
playful
Type
artistic manifesto
creative strategy
When to use this quote
- film festivals
- theatrical productions
- creative workshops
Key Concepts
interdisciplinary art
narrative structure
aesthetic contrast
Questions to Reflect On
- What moments in your work could benefit from theatrical flair?
- How do you maintain coherence while breaking conventions?
A Different Perspective
Balancing contrast can confuse audiences if not grounded in clear narrative.