As I read Mann in German for the first time, the full achievement - both literary and philosophical - of Death in… — Philip Kitcher Copy Share Image
Using the Adagietto of Mahler's Fifth is one of the touches of pure genius in Visconti's film (even though Mahlerians complain very… — Philip Kitcher Copy Share Image
The classical allusions and the Platonic disquisitions on beauty are no longer a form of cover, but integral to Aschenbach's complex sexuality.… — Philip Kitcher Copy Share Image
Mann's Death in Venice actually contains a snippet of philosophy about the second question, when Aschenbach, collapsed in the plaza, engages in… — Philip Kitcher Copy Share Image
To my mind, Death in Venice represents an enormous advance in Mann's literary development, not simply for the commonly appreciated reason that… — Philip Kitcher Copy Share Image
Part of my methodological approach is made explicit when I discuss ways in which literature can have philosophical significance. Literature doesn't typically… — Philip Kitcher Copy Share Image
Presenting Aschenbach as a composer - based on Mahler - leads to some dreadful scenes (especially those in which Aschenbach is berated… — Philip Kitcher Copy Share Image
First, my frame of reference for the Britten opera shifted. I'd always thought of Britten's approach in Death in Venice as another… — Philip Kitcher Copy Share Image
I intend Deaths in Venice to contribute both to literary criticism and to philosophy. But it's not "strict philosophy" in the sense… — Philip Kitcher Copy Share Image
I'm a fan of Hugh Kenner, Richard Ellman, Lionel Trilling and Frank Kermode. All these people have taught me how to read - but… — Philip Kitcher Copy Share
Refined religion is aimed at realizing ethical values, including the fostering of human lives and human communities. — Philip Kitcher Copy Share
Many of the greatest works of philosophy seem to me to be valuable not because of their arguments, but because they offer us perspectives… — Philip Kitcher Copy Share
As I read Mann in German for the first time, the full achievement - both literary and philosophical - of Death in Venice struck… — Philip Kitcher Copy Share
Look at Mann's reading habits, his explicit comments on Nietzsche, and his copy of Birth of Tragedy, and it starts to seem doubtful that… — Philip Kitcher Copy Share
My ethical naturalism sees us as facing the predicament of being social animals without evolved adaptations that make social life easy. The fundamental problem… — Philip Kitcher Copy Share
So my methodological approach is to draw on many different features in highlighting different facets of the novella (and the opera and the film). — Philip Kitcher Copy Share
In my view, we ought to replace the notion of analytic philosophy by that of synthetic philosophy. — Philip Kitcher Copy Share
Philosophers ought to aspire to know lots of different things and to forge useful synthetic perspectives. — Philip Kitcher Copy Share
The balance between literature and philosophy in Schopenhauer and Nietzsche is different from that struck in the novella, but, as Mann clearly pointed out… — Philip Kitcher Copy Share
I don't think that anything of any consequence is known a priori: all our knowledge is built up by modifying the lore passed on… — Philip Kitcher Copy Share
Because the problems are objective features of the human situation - social animals without the capacities for making social life come easily - ethics… — Philip Kitcher Copy Share
I'm very concerned about the increasing distortion of research by the intrusion of the market. Universities are beginning to see science as a means… — Philip Kitcher Copy Share
There's a disciplined erotic component to it, so that the height of sexual contact is the embrace, the modest touch, a relatively chaste kiss.… — Philip Kitcher Copy Share
The classical allusions and the Platonic disquisitions on beauty are no longer a form of cover, but integral to Aschenbach's complex sexuality. Moreover, the… — Philip Kitcher Copy Share
