You don't write for actors. Actors come for characters you've made up. — William Monahan Copy Share Image
For some reason, I seem to work well with actors. I love working with them. — William Monahan Copy Share Image
Getting the correct writer is simply like casting. You wouldn't hire an actor in order to tell him how to work. He… — William Monahan Copy Share Image
If you're playing around with a film, you're just playing around with it. But if it has to go into theaters, you… — William Monahan Copy Share Image
I never viewed screen drama as a vulgar form, or a lesser one, and I've never written it left-handed. — William Monahan Copy Share Image
Actors are players and if they're hot, or onto something, you let them go, or you and the actor can both get… — William Monahan Copy Share Image
I write drama in the English language. If I wasn't working in London I'd be doing something wrong. — William Monahan Copy Share Image
Even though a screenplay is performed only once, unlike other forms of drama, it's still a performance in itself, and unless it's… — William Monahan Copy Share Image
They're done by guys who have talked a good game and then have scrambled together the simulacrum of a drama, so actors… — William Monahan Copy Share Image
I don't move until an actor is happy, but it was very important to me as a so-called "first time director" to… — William Monahan Copy Share Image
I think the only real referent for anybody writing drama is probably Hamlet. You have the most extreme tragic drama, this sort… — William Monahan Copy Share Image
There's always a great hue and cry when you sign onto a "remake," and that's always been sort of annoying me and… — William Monahan Copy Share Image
I'm in the film industry, and I very seldom go to the theater now. It could be work, not being in New… — William Monahan Copy Share Image
“I put no stock in religion. By the word religion I have seen the lunacy of fanatics of every denomination be called the will… — William Monahan Copy Share
When I was a kid in London there was just something about the light and there's something about the way London went onto film… — William Monahan Copy Share
I think the only real referent for anybody writing drama is probably Hamlet. You have the most extreme tragic drama, this sort of blood-boltered… — William Monahan Copy Share
If you need someone to come out of the sewer with a wire you don't hire someone who needs laborious collective instruction. You let… — William Monahan Copy Share
In reviewing films, people get quite liberal about saying "the script" this and "the script" that, when they've never read the script any more… — William Monahan Copy Share
The era I love most is the Federal period, just after the Revolution and the formation of the United States. The birth of America… — William Monahan Copy Share
You know a shooter when you see it. At least the creative people do. If a picture isn't obvious in the first draft you're… — William Monahan Copy Share
If you see, as I do, in edited film, you're going to end up as a director. — William Monahan Copy Share
I wanted to do London Boulevard because I saw the potential of a story about two people who need each other desperately, who love… — William Monahan Copy Share
Dialogue is used to reveal not what we want to say, but what we are trying to hide. — William Monahan Copy Share
Poetry died as a commercial form and then it died as a serious art form. No one serious touches it. It used to be… — William Monahan Copy Share
For me, film has been good because I'm able to work at top crack, working at something I love to do, in the only… — William Monahan Copy Share
London matters to me because it's the center of what I do for a living and has been since Tudor times. — William Monahan Copy Share
I was always entirely about work, about getting where I am now. If I'm not working I'm thinking about it, though at some point… — William Monahan Copy Share
