Remember, this is back in the '40s, and the idea of a museum being a place where interested people could come in… — Warren MacKenzie Copy Share Image
[In the Field Museum of Natural History] we could see very simple, primitive, hand-built pottery from Babylonia and ancient Egypt and so… — Warren MacKenzie Copy Share Image
Chicago is a wonderful area because it's blessed with a tremendous number of museums of various sorts, not only the Art Institute… — Warren MacKenzie Copy Share Image
Our main inspiration [with Alix MacKenzie], I think, came from the Field Museum of Natural History, because they had pieces which were… — Warren MacKenzie Copy Share Image
Other thing about [Field Museum of Natural History] which inspired was that in a group of pots you wouldn't see a single… — Warren MacKenzie Copy Share Image
Eventually I gave up teaching at the St. Paul Gallery because of disagreements with the philosophy of that museum, and I got… — Warren MacKenzie Copy Share Image
In looking at these pots at the Field Museum, Alix [MacKenzie] and I both came to a conclusion individually but also collectively… — Warren MacKenzie Copy Share Image
If you press-mold a pot or if you slab-build a pot, the work has got to take much, much, much longer than… — Warren MacKenzie Copy Share Image
[Kathleen Blackshear] just said, "Have you thought of looking at this?" and so on and so on and so on. And it was a… — Warren MacKenzie Copy Share
Some years ago I was working on some forms which were vase forms with a fairly narrow base, and it was after [Hans] Coper… — Warren MacKenzie Copy Share
I found out later on that was not true, that life drawing tells you a great deal about rhythm, about the structure of a… — Warren MacKenzie Copy Share
Remember, this is back in the '40s, and the idea of a museum being a place where interested people could come in direct contact… — Warren MacKenzie Copy Share
At the end of that two weeks Bernard [Leach] asked us if we would like to sit with him tending the kiln, the big… — Warren MacKenzie Copy Share
I got drafted into the army and by pure chance was pushed into a silk-screen shop at this camp where I was, because they… — Warren MacKenzie Copy Share
[In the Field Museum of Natural History] we could see very simple, primitive, hand-built pottery from Babylonia and ancient Egypt and so forth, Greece.… — Warren MacKenzie Copy Share
Chicago is a wonderful area because it's blessed with a tremendous number of museums of various sorts, not only the Art Institute of Chicago… — Warren MacKenzie Copy Share
It was a wonderful opportunity. And so for two and a half years we lived with [Bernard] Leach. — Warren MacKenzie Copy Share
We thought [with Alix MacKenzie], if those are the kinds of pots from every culture that interest us, why would we think that it… — Warren MacKenzie Copy Share
I went to the Chicago Art Institute, which was the best painting school in the area at that time. And I took painting classes… — Warren MacKenzie Copy Share
It was there that we really first came in contact with the work of Shoji Hamada, who was Bernard's best friend from Japan, who… — Warren MacKenzie Copy Share
Bernard [Leach] was making pots which were duplicates of his drawing, and that was a difference of approach, which I think is quite critical… — Warren MacKenzie Copy Share
I don't know, it's very difficult if you're in a strange country to just barge in and say, "Hello, I'm Warren MacKenzie, and aren't… — Warren MacKenzie Copy Share
[Shoji] Hamada seldom drew an exact drawing of a pot that he was going to make. — Warren MacKenzie Copy Share
![“Remember, this is back in the '40s, and the idea of a museum being a place where interested people could come in direct contact with works hadn't arrived on the scene yet. That, I think, I first ran into at the Freer Gallery in Washington, D.C., where a man named Marty [Martin] Amt decided that he…” quote by Warren MacKenzie](https://sms4smile.com/q/img-quotes/ddb/warren-mackenzie-4654_assistants_remember-this-is-back-in-the-40s-and-the_105550.jpg)
![“[In the Field Museum of Natural History] we could see very simple, primitive, hand-built pottery from Babylonia and ancient Egypt and so forth, Greece. We could see the most sophisticated things that came out of the Orient - Japan, Korea, and China - some few pieces of European porcelain, majolica…” quote by Warren MacKenzie](https://sms4smile.com/q/img-quotes/8fc/warren-mackenzie-4654_ancient_in-the-field-museum-of-natural-history-w_183538.jpg)
![“Our main inspiration [with Alix MacKenzie], I think, came from the Field Museum of Natural History, because they had pieces which were selected not for art content but for their relationship to the anthropological history of mankind.” quote by Warren MacKenzie](https://sms4smile.com/q/img-quotes/566/warren-mackenzie-4654_art_our-main-inspiration-with-alix-mackenzie_385013.jpg)
![“Other thing about [Field Museum of Natural History] which inspired was that in a group of pots you wouldn't see a single example of this kind of pot. You would perhaps see a case with 20 different examples. So you realize that these pots could be repeated again and again, and each time there would…” quote by Warren MacKenzie](https://sms4smile.com/q/img-quotes/469/warren-mackenzie-4654_again-and-again_other-thing-about-field-museum-of-natura_494272.jpg)
![“In looking at these pots at the Field Museum, Alix [MacKenzie] and I both came to a conclusion individually but also collectively that the pots that really interested us were the pots that people had used in their everyday life, and we began to think - I mean, whether it was ancient Greece or…” quote by Warren MacKenzie](https://sms4smile.com/q/img-quotes/17d/warren-mackenzie-4654_ancient_in-looking-at-these-pots-at-the-field-mu_1294704.jpg)
