I've been a fan of horror and studying it for as long as I can remember. — Paul G. Tremblay Copy Share Image
'A Head Full of Ghosts' was my first full horror novel, and that felt like coming home as a writer. — Paul G. Tremblay Copy Share Image
'The Cabin at the End of the World' is my riff on the 'home invasion' subgenre of horror/suspense. Hopefully it's a big,… — Paul G. Tremblay Copy Share Image
Horror is often about how we live in the liminal, whether we want to or not. — Paul G. Tremblay Copy Share Image
The closer a horror story gets to the truth of things, the more affective it is going to be. — Paul G. Tremblay Copy Share Image
There are many talented and worthy writers engaging horror in new, imaginative, and yes, terrifying ways. — Paul G. Tremblay Copy Share Image
In the early 2000s, I started selling some short stories to horror markets. I joined the Horror Writers Association. — Paul G. Tremblay Copy Share Image
Independent horror movies have really stepped up the game, and hopefully mainstream Hollywood will follow suit. — Paul G. Tremblay Copy Share Image
Chance, choice, and consequence are fundamental parts of existence and perfect fodder for a horror story - or any story, for that… — Paul G. Tremblay Copy Share Image
A large part of the appeal of this novel when I was lucky enough to stumble across the story idea for 'A… — Paul G. Tremblay Copy Share Image
I feel like too many horror writers and filmmakers sort of just assume that the default is, 'The horror movie must be… — Paul G. Tremblay Copy Share Image
There's no objective reason anyone can point to that proves a horror story is innately inferior or that it's doomed to fail… — Paul G. Tremblay Copy Share Image
Ambiguity and the horror of possibility play a part in so many of my favorite horror stories: Shirley Jackson's 'We Will Always… — Paul G. Tremblay Copy Share Image
I feel like too many horror writers and filmmakers sort of just assume that the default is, 'The horror movie must be all atmosphere… — Paul G. Tremblay Copy Share
I don't consciously sit down thinking I'm blurring genre lines, for the most part. I try to stay focused solely on serving the needs… — Paul G. Tremblay Copy Share
I think I got serious about writing in the late '90s. The first stuff I wrote was terrible and got rejected, but I started… — Paul G. Tremblay Copy Share
As an adult, I've learned to cope and pull the plug on the worst what-ifs before my mind takes me to a place from… — Paul G. Tremblay Copy Share
Crime, horror, and satire each aim to reveal an ugly or uncomfortable truth: one that, after the reveal, will ensure we'll never be the… — Paul G. Tremblay Copy Share
Whenever you bring reality TV into the mix, it's only a matter of time before, whatever fiction you come up with, it'll become real. — Paul G. Tremblay Copy Share
My first book deal was for two Mark Genevich novels. I hadn't planned on writing a second Genevich novel, but I was contracted to… — Paul G. Tremblay Copy Share
I'm harsh on myself. But let's be honest: I'm not as harsh as the online one-star critic who says, 'This book is boring and… — Paul G. Tremblay Copy Share
In the early 2000s, I started selling some short stories to horror markets. I joined the Horror Writers Association. — Paul G. Tremblay Copy Share
So much of my work is about children and/or parenting; it's something I'm drawn to without being able to completely articulate why. — Paul G. Tremblay Copy Share
Horror is often about how we live in the liminal, whether we want to or not. — Paul G. Tremblay Copy Share
After my debut didn't go very well with Holt, I needed to be in a healthier head space. I was happy to emerge from… — Paul G. Tremblay Copy Share
