I think that often in the United States we're very blind to the ways that history lives in the present. — Jesmyn Ward Copy Share Image
History and socio-economic inequality and all those things had, like, borne down upon my family and my community and really sort of… — Jesmyn Ward Copy Share Image
By the numbers, by all the official records, here at the confluence of history, of racism, of poverty, and economic power, this… — Jesmyn Ward Copy Share Image
I think that we're just too invested in that myth that we are not connected, and are all potential millionaires if only… — Jesmyn Ward Copy Share Image
“We tried to outpace the thing that chased us, that said: You are nothing. We tried to ignore it, but sometimes we… — Jesmyn Ward Copy Share Image
“Demond’s family history wasn’t so different from my own, did that mean we were living the same story over and over again,… — Jesmyn Ward Copy Share Image
“Men’s bodies litter my family history. The pain of the women they left behind pulls them from the beyond, makes them appear… — Jesmyn Ward Copy Share Image
“We seem to be in a continuing feedback loop of repeating a past that our country has yet to address. Our history… — Jesmyn Ward Copy Share Image
I consider myself a progressive, so my answer would be that we need to be progressive. For some reason the people in… — Jesmyn Ward Copy Share Image
“But race in the United States is not a tidy matter. Only three of the submitted pieces explicitly referenced the future. Most… — Jesmyn Ward Copy Share Image
I wanted to write about voodoo tradition that I feel has been very important to survival of black people here: people of the African… — Jesmyn Ward Copy Share
I think that voodoo as a spiritual tradition has been demonized for so long in popular culture. I wanted to write against that and… — Jesmyn Ward Copy Share
There's so much I love about home, but then there's a lot that I can acknowledge that I dislike about home. And acknowledging that… — Jesmyn Ward Copy Share
“The dream of her was the glow of a spent fire on a cold night: warm and welcoming.” — Jesmyn Ward Copy Share
The first writer that I think of immediately that I studied with at Michigan is Peter Ho Davies. He was really important to me,… — Jesmyn Ward Copy Share
I feel like so much of what happened in the Delta over the decades since slavery was abolished seems much closer in the Delta,… — Jesmyn Ward Copy Share
“Vines catch my arms, my head; we tear through until we break out into the clearing before the fence, the field, the barn, the… — Jesmyn Ward Copy Share
“Before all the little mean things she told me gathered and gathered and lodged like grit in a skinned knee.” — Jesmyn Ward Copy Share
People give the South a bad rap. It's often stereotyped as backwards and close-minded and dogmatic, and all of those things have been true.… — Jesmyn Ward Copy Share
By the time I wrote my memoir, 'Men We Reaped,' I had been running from writing it for a long time. When the events… — Jesmyn Ward Copy Share
When I was a teenager, I was the only black girl at a small, private Episcopal school, where my tuition was paid by the… — Jesmyn Ward Copy Share
She was the murderous mother who cut us to the bone but left us alive, left us naked and bewildered as wrinkled newborn babies,… — Jesmyn Ward Copy Share
I hope people who read my books feel empathy for us and really see us as complicated people. — Jesmyn Ward Copy Share
When I was writing my first novel, 'Where the Line Bleeds,' which had young black men as its main characters, I was very invested… — Jesmyn Ward Copy Share
“Lot of folks was in there for stealing food because everybody was poor and starving, and even though White people couldn’t get your work… — Jesmyn Ward Copy Share
