I think lighting is a reflection of what is at stake emotionally in a movie. — Rachel Morrison Copy Share Image
I've had something like seven films at Sundance, one of which won the Grand Jury Prize. — Rachel Morrison Copy Share Image
I think there's this assumption that everybody would rather be a director, and I don't know that that's the case for me,… — Rachel Morrison Copy Share Image
To me, as an audience member, movies always come to a screeching halt when they get to their action scenes. They always… — Rachel Morrison Copy Share Image
I pour my blood, sweat, and tears into a movie. What I always look for is a message and a social consciousness:… — Rachel Morrison Copy Share Image
I don't love cinematography that's very flashy because I find that it keeps the audience from becoming a part of the film;… — Rachel Morrison Copy Share Image
It's always a challenge to shoot a period film and not have it look like you hit the tea stain button in… — Rachel Morrison Copy Share Image
You can only shoot small movies and documentaries for so long if you want to have a family that you support; eventually,… — Rachel Morrison Copy Share Image
It would be naive to say that you could make a movie on film for the same price you can digitally. — Rachel Morrison Copy Share Image
When I was studying photography, I became interested in conflict photojournalism, and that got me interested in lighting. Then I realized there… — Rachel Morrison Copy Share Image
So much of 'Mudbound' is about man's relationship to the land and to the elements. It's about the desire for control and… — Rachel Morrison Copy Share Image
I think 'Sound of My Voice' was the first film where suddenly I could point to something I had done that I… — Rachel Morrison Copy Share Image
Your movie becomes much more narrow-minded when you have like-minded department heads. Whereas if you can surround yourself with people who have… — Rachel Morrison Copy Share Image
Cinematography speaks to everything that women do inherently well: It's multitasking, it's empathy, and it's channeling visuals into human emotion. — Rachel Morrison Copy Share
Part of the reason why I love to operate is because I find that so much of what we do is instinctual. It's dancing… — Rachel Morrison Copy Share
You can only shoot small movies and documentaries for so long if you want to have a family that you support; eventually, you need… — Rachel Morrison Copy Share
As artists, we can't help but infuse our art with our own experience, so your experience becomes informative. — Rachel Morrison Copy Share
The first female DPs that I was aware of were Ellen Kuras, Mandy Walker, Nancy Schreiber, Amy Vincent, Sandi Sissel, Maryse Alberti and Tami… — Rachel Morrison Copy Share
I think lighting is a reflection of what is at stake emotionally in a movie. — Rachel Morrison Copy Share
It would be naive to say that you could make a movie on film for the same price you can digitally. — Rachel Morrison Copy Share
Photos have the real task of bringing exposure to places that we otherwise don't have much awareness of. — Rachel Morrison Copy Share
I pour my blood, sweat, and tears into a movie. What I always look for is a message and a social consciousness: a relevance… — Rachel Morrison Copy Share
Authenticity, to me, is something that you feel, and if it doesn't feel authentic, you pick up on it right away. — Rachel Morrison Copy Share
'Fruitvale' set the bar for what I wanted to do with my career, which was to make films that had consciousness and messaging in… — Rachel Morrison Copy Share
We shot 'Mudbound' in the South in the summer, which meant we were working in extreme heat and humidity at all times and that… — Rachel Morrison Copy Share
The biggest difference for me was that I operated almost every frame on 'Mudbound,' and I didn't operate on 'Black Panther.' — Rachel Morrison Copy Share
