Film will always be my main focus, but designing and publishing my own work is something I will also always do. — David Slade Copy Share Image
As a director, you have to go in with a really, really, really clear picture of what you want. — David Slade Copy Share Image
Film becomes a living organism. After awhile, it begins to tell you what it needs, and you're usually best listening. — David Slade Copy Share Image
Being able to communicate what your vision is clearly and with specificity is the most important thing a director can do. — David Slade Copy Share Image
'Twilight' was a cult film, and the books were huge, but after 'New Moon,' it really blew up. — David Slade Copy Share Image
As a director, it just makes my life fantastic to work with people like Elizabeth Hawthorne. — David Slade Copy Share Image
With a DVD, you want something you can own, you can watch, you can come to grips with and you can explore.… — David Slade Copy Share Image
Certainly there is a lot of collaboration, but there is also a lot of clarity that has to be had in the… — David Slade Copy Share Image
To get the film in your head on the screen, first you have to take it out of your head and explain… — David Slade Copy Share Image
Make the film that you love. When you find a film that you love, every molecule of your being will be moving… — David Slade Copy Share Image
Film is always a fight because you're the person, as the director, with a clear picture in your head of what you… — David Slade Copy Share Image
As a director, you have to go in with a really, really, really clear picture of what you want. That's the point… — David Slade Copy Share Image
Films are pushing envelopes in terms of what is horrific, but also on other areas: in video games, in comic books and… — David Slade Copy Share Image
I think filmmaking is largely about preparation and taste and luck. If you have all of those three things, I think you… — David Slade Copy Share Image
I don't do commentaries on films because A) I'm not very good at it and B) it's an odd thing that I… — David Slade Copy Share Image
As the director, you're meant to be critical and you are, so there are loads of things. But the thing is, the… — David Slade Copy Share Image
I think it's really difficult to justify converting a film that wasn't shot in 3-D into 3-D. I really do believe, as… — David Slade Copy Share Image
There's this point between conscious and subconscious when you realize you were asleep and resting, and you were having all kinds of… — David Slade Copy Share Image
Being able to communicate what your vision is clearly and with specificity is the most important thing a director can do. — David Slade Copy Share
Certainly there is a lot of collaboration, but there is also a lot of clarity that has to be had in the vision that… — David Slade Copy Share
I feel like I'm in a weird state, and I wake up in Hollywood, and I've got a couple of studio movies underneath my… — David Slade Copy Share
When you are doing music videos through the '90s, which I did, and the 2000s, you were put in the position, really, as an… — David Slade Copy Share
'Twilight' was a cult film, and the books were huge, but after 'New Moon,' it really blew up. — David Slade Copy Share
With 'Cold Skin,' I believe we can create a lasting psycho-physiological horror film. It is one of the most atmospheric, terrifying, cinematic, and original… — David Slade Copy Share
I think filmmaking is largely about preparation and taste and luck. If you have all of those three things, I think you will find… — David Slade Copy Share
Francis Lawrence is an astonishing filmmaker, an incredibly gifted visual filmmaker. I have great respect for his work. — David Slade Copy Share
I believe that filmmaking is a brilliant thing to do - be doing - for a living. — David Slade Copy Share
Film is always a fight because you're the person, as the director, with a clear picture in your head of what you think is… — David Slade Copy Share
I'm a big fan of horror movies. But I prefer visceral to viscous, let's just say that. — David Slade Copy Share
