I feel like the score is a chance for an artist to exercise their voice and augment a film. — Bear McCreary Copy Share Image
I don't view the web as any other secondary medium to television or film - I just think it's another avenue. — Bear McCreary Copy Share Image
The showrunner relationship in television is what the director relationship in film, there's really no more important relationship. — Bear McCreary Copy Share Image
I didn't become a TV and film composer because I wanted to play sold-out rock concerts, but that's what's ended up happening.… — Bear McCreary Copy Share Image
I mean, I think as a composer for film, I am very frequently deferential to the drama. My motto is, 'Do no… — Bear McCreary Copy Share Image
To me, a superheroic score is only as good as its main theme. If you're not singing the tune in the shower… — Bear McCreary Copy Share Image
I like to bring something unique to every project I take on, something that can immediately hook the audience and tell them… — Bear McCreary Copy Share Image
My brother grew up listening to rock n' roll and then he started to discover film music. I was the exact opposite.… — Bear McCreary Copy Share Image
With television you are producing hours and hours of music and for film it is a shorter experience for both the audience… — Bear McCreary Copy Share Image
Both the composer and the filmmaker have to let go of their preconceived notions and listen to the film... When you do… — Bear McCreary Copy Share Image
I think the thing that music can do is be unsettling. It is abnormal - music that's perceived to be different in an unresolved… — Bear McCreary Copy Share
I grew up watching sci-fi and horror and dramas and playing video games. These are all things I enjoy doing. — Bear McCreary Copy Share
There was a time after doing 'Battlestar Galactica,' where I had my pick of projects that wanted taiko drums and ethnic vocals. You know,… — Bear McCreary Copy Share
The showrunner relationship in television is what the director relationship in film, there's really no more important relationship. — Bear McCreary Copy Share
I mean, I think everybody has fond memories of 'Masters of the Universe.' It was just one of the things in the '80s. But… — Bear McCreary Copy Share
When you hit a string or a piece of metal or anything that vibrates, you hear the fundamental pitch that the thing is vibrating… — Bear McCreary Copy Share
The great thing about scoring sci-fi shows is that you basically get to make up the rules, because you're creating a self-contained universe; when… — Bear McCreary Copy Share
It's hard to take a series of intervals that we all recognize, and arrange them in a way that is not so simplistic, to… — Bear McCreary Copy Share
I approach everything from the same perspective which is character and story, which then influence the musical style. — Bear McCreary Copy Share
On a network show, you can get six days to score an episode. On 'Outlander,' because it's premium cable and because of the way… — Bear McCreary Copy Share
I was thrilled to have had the opportunity to work Mark Hamill in creating the 'Child's Play Theme.' He dove into the experience head… — Bear McCreary Copy Share
At first glance, I was nervous that 'Marvel's Agents of S.H.I.E.L.D.' would be difficult to approach... It ties together a cinematic universe that spans… — Bear McCreary Copy Share
