Don't think of sea as color. Make it a solid that can support a boat. Think of 'wetness' as color-texture. — John French Sloan Copy Share Image
Color is like music. The palette is an instrument that can be orchestrated to build form. — John French Sloan Copy Share Image
To play your colors by eye is worse than playing the piano by ear. — John French Sloan Copy Share Image
Form your own color concept of things in nature. I have no rules for fine color to give you. — John French Sloan Copy Share Image
The great black and white draftsman, the sculptor, and the blind man know that form and color are separate. The form itself… — John French Sloan Copy Share Image
Many great works of art have only form, the sculpture of the thing. Color as used to signify realization by men like… — John French Sloan Copy Share Image
Drawing is the cornerstone of the graphic, plastic arts. Drawing is the coordination of line, tone, and color symbols into formations that… — John French Sloan Copy Share Image
In the work of Seurat, you can see the dots of neutral colors carrying the form and then the dots of more… — John French Sloan Copy Share Image
Painting is drawing, with the additional means of color. Painting without drawing is just 'coloriness,' color excitement. To think of color for… — John French Sloan Copy Share Image
A piece of drapery is like a necktie, hot stuff to paint, and one of the easiest things for a painter to… — John French Sloan Copy Share Image
Painting is drawing, with the additional means of color. Painting without drawing is just 'coloriness,' color excitement. To think of color for color's sake… — John French Sloan Copy Share
The purpose of subject matter is to veil technique. The great artist uses the cloak of resemblance to hide the means. — John French Sloan Copy Share
You can be a giant among artists without ever attaining any great skill. Facility is a dangerous thing. When there is too much technical… — John French Sloan Copy Share
Be sensitive to the qualities inherent in the medium. Paint honestly and avoid tricks. — John French Sloan Copy Share
Assimilate all you can from tradition and then say things in your own way. — John French Sloan Copy Share
Don't be afraid to borrow. The great men, the most original, borrowed from everybody. — John French Sloan Copy Share
When painting a landscape it is desirable to walk through the clumps and around the bushes, around the trees, the houses and the rocks.… — John French Sloan Copy Share
...in the habit of watching every bit of human life I can see about my windows, but I do it so that I am… — John French Sloan Copy Share
The subject may be of first importance to the artist when he starts a picture, but it should be of least importance in the… — John French Sloan Copy Share
When you draw a crowd of people in a street or room or landscape, decide whether you want to say that the people dominate… — John French Sloan Copy Share
The important thing is to keep on drawing when you start to paint. Never graduate from drawing. — John French Sloan Copy Share
There is a better chance of getting an exciting painting from a laboured study with texture than from a fine drawing without it. — John French Sloan Copy Share
The artist does not see both eyes alike. There is always 'the eye' and the other eye... It adds life and plasticity to the… — John French Sloan Copy Share
