One color alone means nothing. I acts as in a vacuum, with no other colors to relate to. It is only when… — Jay Maisel Copy Share Image
You see shape, and how the light hits things, how the color changes from one end of the photo to the other,… — Jay Maisel Copy Share Image
Color is seductive. It changes as it interacts with other colors, it changes because of the light falling upon it, and it… — Jay Maisel Copy Share Image
There really isn't anything that you could call 'bad' color. It all has to do with the amount of color you use… — Jay Maisel Copy Share Image
We don't experience light, color, and gesture in a vacuum. We experience it in contexts. — Jay Maisel Copy Share Image
Color really doesn't have interaction if it's full of colors. It's the interaction or relationship among or between colors that makes a… — Jay Maisel Copy Share Image
Light gesture and color of the key compliments of any photograph. Light and color are obvious, but it is just her that… — Jay Maisel Copy Share Image
Some have said that if you take a great picture in color and take away the color, you'll have a great black-and-white… — Jay Maisel Copy Share Image
'Color' is quite different from 'colors.' In an image with many colors, we find that all the colors compete with each other… — Jay Maisel Copy Share Image
It's not just when you shoot, or what you shot, or where you shoot, it's the combination of the three. — Jay Maisel Copy Share
If you are out there shooting, things will happen for you. If you're not out there, you'll only hear about it. — Jay Maisel Copy Share
Sometimes as you work, you find that you are learning things about your own perceptions and motivations that are way below you consciousness. If… — Jay Maisel Copy Share
I try not to tell students where to shoot, when to shoot, or what to shoot. I feel finding the picture is the most… — Jay Maisel Copy Share
One color alone means nothing. I acts as in a vacuum, with no other colors to relate to. It is only when colors relate… — Jay Maisel Copy Share
You see shape, and how the light hits things, how the color changes from one end of the photo to the other, and how… — Jay Maisel Copy Share
As you see something that yo want to shot and it's bearing down on you, it's important to start framing long before the subject… — Jay Maisel Copy Share
