When I make films, I don't think of any other directors or their work in terms of the rhythm of the editing… — Hirokazu Kore-eda Copy Share Image
I wanted to make 'Nobody Knows,' a kind of summation of the experiences I gained from making my first three films, the… — Hirokazu Kore-eda Copy Share Image
If my films did better at the box office in Japan, it would be easier to get them made. — Hirokazu Kore-eda Copy Share Image
I am hopeful that films can connect people who are in conflict in a separated world. — Hirokazu Kore-eda Copy Share Image
I have never made a film to praise or to criticize something. That kind of filmmaking is nothing but propaganda. — Hirokazu Kore-eda Copy Share Image
When I am 60 or 70, I am sure I can still continue to make films on families. — Hirokazu Kore-eda Copy Share Image
My mother was really against it when I said I wanted to make films. She said that I should be a civil… — Hirokazu Kore-eda Copy Share Image
A film is not a vehicle to accuse, or to relay a specific message. If we reduce a film to this, we… — Hirokazu Kore-eda Copy Share Image
With 'Nobody Knows,' I consciously set out to make a fiction film, which is a different approach from 'Distance,' but I still… — Hirokazu Kore-eda Copy Share Image
My mother loved films! She adored Ingrid Bergman, Joan Fontaine, Vivien Leigh. We couldn't afford to go together to the cinema, but… — Hirokazu Kore-eda Copy Share Image
I particularly relate to the films of Mikio Naruse and Shinichi Kamoshita, a person whose work I watched very much as a… — Hirokazu Kore-eda Copy Share Image
Sometimes when you watch children, you feel that they show emotions that you, as an adult, can relate to. — Hirokazu Kore-eda Copy Share
We used to have prawn tempura: that was my mother's favourite dish. But she had to go out to work instead of my father,… — Hirokazu Kore-eda Copy Share
When I was 27, I won an honorable mention in a scriptwriting contest and got a television job as an assistant director. — Hirokazu Kore-eda Copy Share
It is righteous to receive state subsidies to make films that criticise the state - I want Japanese people to accept such European values. — Hirokazu Kore-eda Copy Share
I believe that any auteur categorised in terms of an -ist or an -ism wouldn't be able to capture the complex essence of human… — Hirokazu Kore-eda Copy Share
When I have been told that my films remind people of Ozu, I have never been too convinced. — Hirokazu Kore-eda Copy Share
I am hopeful that films can connect people who are in conflict in a separated world. — Hirokazu Kore-eda Copy Share
All my mother ever wanted to talk about was what she hated about my father and the times he cheated on her when he… — Hirokazu Kore-eda Copy Share
Yes, a family is interesting. You can get a lot of drama in the conflicts there. It's like the sea. It seems calm, but… — Hirokazu Kore-eda Copy Share
With 'Nobody Knows,' I consciously set out to make a fiction film, which is a different approach from 'Distance,' but I still applied a… — Hirokazu Kore-eda Copy Share
I wanted to make 'Nobody Knows,' a kind of summation of the experiences I gained from making my first three films, the good ones… — Hirokazu Kore-eda Copy Share
I would say that 'After the Storm' is much more informed by my personal life than my other movies. — Hirokazu Kore-eda Copy Share
The vividness of children is easier to see when they're completely left to their own devices. — Hirokazu Kore-eda Copy Share
'Like Father, Like Son' gave me the opportunity to show when it is not good with a father. — Hirokazu Kore-eda Copy Share
