Never worry about being obsessive. I like obsessive people. Obsessive people make great art — Susan Sontag Copy Share Image
Art is not consciousness per se, but rather its antidote- evolved from within consciousness itself. — Susan Sontag Copy Share Image
Unfortunately, moral beauty in art - like physical beauty in a person - is extremely perishable. — Susan Sontag Copy Share Image
One doesn't need to know the artist's private intentions. The work tells all. — Susan Sontag Copy Share Image
The basic unit for contemporary art is not the idea, but the analysis of and extension of sensations. — Susan Sontag Copy Share Image
All great art contains at its center contemplation, a dynamic contemplation. — Susan Sontag Copy Share Image
In the final analysis, style is art. And art is nothing more or less than various modes of stylized, dehumanized representation. — Susan Sontag Copy Share Image
The purpose of art is always, ultimately, to give pleasure - though our sensibilities may take time to catch up with the… — Susan Sontag Copy Share Image
The work of art itself is . . . a vibrant, magical, and exemplary object which returns us to the world in… — Susan Sontag Copy Share Image
The writers or artists I write about are not necessarily those I care most about (Shakespeare is still my favourite writer) but… — Susan Sontag Copy Share Image
One criticizes in others what one recognizes and despises in oneself. For example, an artist who is revolted by another’s ambitiousness. — Susan Sontag Copy Share Image
Interpretation, based on the highly dubious theory that a work of art is composed of items of content, violates art. It makes… — Susan Sontag Copy Share Image
The moral pleasure in art, as well as the moral service that art performs, consists in the intelligent gratification of consciousness. — Susan Sontag Copy Share Image
A work of art, so far as it is a work of art, cannot - whatever the artist's personal intention - advocate… — Susan Sontag Copy Share Image
In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity… — Susan Sontag Copy Share Image
If within the last century art conceived as an autonomous activity has come to be invested with an unprecedented stature - the… — Susan Sontag Copy Share Image
art is the most general condition of the Past in the present. ... Perhaps no work of art is art. It can… — Susan Sontag Copy Share Image
Art today is a new kind of instrument, an instrument for modifying consciousness and organizing new modes of sensibility . . .… — Susan Sontag Copy Share Image
Interpretation is the revenge of the intellect upon art. Even more. It is the revenge of the intellect upon the world. To… — Susan Sontag Copy Share Image
Our task is not to find the maximum amount of content in a work of art, mush less to squeeze more content… — Susan Sontag Copy Share Image
Much of modern art is devoted to lowering the threshold of what is terrible. By getting us used to what, formerly, we… — Susan Sontag Copy Share Image
[T]he visibility of styles is itself a product of historical consciousness. ... The very notion of "style" needs to be approached historically.… — Susan Sontag Copy Share Image
“In one of its aspects, art is a technique for focusing attention, for teaching skills of attention. The history of the arts… — Susan Sontag Copy Share Image
“Today is such a time, when the project of interpretation is largely reactionary, stifling. Like the fumes of the automobile and of… — Susan Sontag Copy Share Image
“The concern is that the images to be devised won't be sufficiently upsetting: not concrete, not detailed enough. Pity can entail a… — Susan Sontag Copy Share Image
Today is such a time, when the project of interpretation is largely reactionary, stifling. Like the fumes of the automobile and of… — Susan Sontag Copy Share Image
To be an artist or a writer is to be this weird thing - a hand worker in an era of mass… — Susan Sontag Copy Share Image
Is it the obligation of great art to be continually interesting? I think not. — Susan Sontag Copy Share Image
“Pop art: only possible in an affluent society, where one can be free to enjoy ironic consumption.” — Susan Sontag Copy Share Image
The idea of content in art is today merely a hindrance, a nuisance, a subtle or not so subtle philistinism. — Susan Sontag Copy Share Image
The notion of art as the dearly purchased outcome of an immense spiritual risk, one whose cost goes up with the entry… — Susan Sontag Copy Share Image
Art is not only about something; it is something. A work of art is a thing in the world, not just a… — Susan Sontag Copy Share Image
the appetite for thinking must be regulated, as all sensible people know, for it may stifle one's life. — Susan Sontag Copy Share
Unfortunately, moral beauty in art - like physical beauty in a person - is extremely perishable. It is nowhere so durable as artistic or… — Susan Sontag Copy Share
Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a… — Susan Sontag Copy Share
Anthropology has always struggled with an intense, fascinated repulsion towards its subject… [The anthropologist] submits himself to the exotic to confirm his own inner… — Susan Sontag Copy Share
“Why not eliminate schooling between age 12-16? It’s biologically + psychologically too turbulent a time to be cooped up inside, made to sit all… — Susan Sontag Copy Share
To photograph people is to violate them, by seeing them as they never see themselves, by having knowledge of them that they can never… — Susan Sontag Copy Share
One set of messages of the society we live in is: Consume. Grow. Do what you want. Amuse yourselves. The very working of this… — Susan Sontag Copy Share
Currently intellectuals in Western Europe and North America are extremely demoralized and shaken by the rise of a virulent conservative tendency (which some have… — Susan Sontag Copy Share
With the modern diseases (once TB, now cancer) the romantic idea that the disease expresses the character is invariably extended to assert that the… — Susan Sontag Copy Share
As objects of contemplation, images of the atrocious can answer to several different needs. To steel oneself against weakness. To make oneself more numb.… — Susan Sontag Copy Share
The creative phase of an idea coincides with the period during which it insists, cantankerously, on its boundaries, on what makes it different; but… — Susan Sontag Copy Share
Photographs objectify: they turn an event or a person into something that can be possessed. — Susan Sontag Copy Share
The feminist movement has been important to me because it's made me feel less odd and also because it has made me understand some… — Susan Sontag Copy Share