The beauty of art is that it allows you to slow down, and for a moment, things that once seemed unfamiliar become… — Kehinde Wiley Copy Share Image
There were certain expectations that were assumed of me as a young black American 20th-century - then 20th-century artist. — Kehinde Wiley Copy Share Image
This is something that, as artists, we constantly deal with-throwing away the past, slaying the father, and creating the new. This desire… — Kehinde Wiley Copy Share Image
Is it the responsibility of the colored artist or the ethnic artist to create works that are designed to exist in opposition… — Kehinde Wiley Copy Share Image
I have been painting white people for much longer in my life than I have done for colored people. — Kehinde Wiley Copy Share Image
I studied shades, textures by painting after the Old Masters, the classical European paintings, as part of my educational process. — Kehinde Wiley Copy Share Image
If people looked at me like I was a little different, I would maybe sit next to them, and I would draw. — Kehinde Wiley Copy Share Image
Almost as though the painting itself becomes the embodiment of a type of struggle for visibility, and this might be considered the… — Kehinde Wiley Copy Share Image
When you go back to the days when I was studying how to paint, some of the things that excited me most… — Kehinde Wiley Copy Share Image
If I were making paintings of a bowl of fruit it would still be viewed through some sort of political lens, because… — Kehinde Wiley Copy Share Image
That's partly the success of my work-the ability to have a young black girl walk into the Brooklyn Museum and see paintings… — Kehinde Wiley Copy Share Image
I think my life has been transformed by the ability to take things that exist in the world and look at them… — Kehinde Wiley Copy Share Image
My interest is in completing an image that is spectacular beyond belief. My fidelity is to the image and the art and… — Kehinde Wiley Copy Share Image
Most people say, "Hell, no. I don't know who you are. This scares me. Like, I'm not interested in this."Another way of… — Kehinde Wiley Copy Share Image
I pay my models to work with me, so there becomes this weird sort of economic bartering thing, which made me feel… — Kehinde Wiley Copy Share Image
What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or… — Kehinde Wiley Copy Share Image
There's always a joy in newness as a painter, and in sub-Saharan Africa, I encountered different realities with regard to light and… — Kehinde Wiley Copy Share Image
While it may seem a little mundane, the material realities of realizing the painting actually have a lot to do with how… — Kehinde Wiley Copy Share Image
It became a question of taste. I have a certain taste in art history. And that - I had a huge library… — Kehinde Wiley Copy Share Image
Let's talk about the artist's desire to go beyond the pictorial or the representational and the desire to create the abstract -… — Kehinde Wiley Copy Share Image
Much like teaching art to young art students age 10 to 15 or so on, you have to break it down into… — Kehinde Wiley Copy Share Image
There was no image of the other biological half of myself. And as an artists, as a - as an - as… — Kehinde Wiley Copy Share Image
I think the pairing of your material practice with your subject is something that is the constant concern of every artist for… — Kehinde Wiley Copy Share Image
I went back to my mother's house recently and I saw some of my earlier works as a 15-year-old art student. And… — Kehinde Wiley Copy Share Image
That should be something that an artist can respond to as well in terms of a painting. — Kehinde Wiley Copy Share Image
In some way they are all self-portraits, but I think I know what you mean by asking this - I would say,… — Kehinde Wiley Copy Share Image
I was 11 when I was first introduced to live drawing classes and going to art school. — Kehinde Wiley Copy Share Image
I think that artists provide questions, not answers. We provide provocations rather than fully formed objects. — Kehinde Wiley Copy Share Image
Artists should be able to thrive and allow their ideas to flourish as much as those in biotechnology or finance. — Kehinde Wiley Copy Share Image
Status and class and social anxiety and perhaps social code are all released when you look at paintings of powerful individuals from… — Kehinde Wiley Copy Share Image
I believe the artist is capable of contributing to the broader evolution of culture in all of its dimensions. — Kehinde Wiley Copy Share Image
There's nothing shocking inherently about that, given that so much of the way that artists are taught is by copying old master… — Kehinde Wiley Copy Share Image
If art can be at the service of anything, it's about letting us see a state of grace for those people who… — Kehinde Wiley Copy Share Image
I think what we should concentrate on is what it feels like to be a working artist in the day to day.… — Kehinde Wiley Copy Share Image
Painting is situational. And my particular situation exists within gender, race, class, sexuality, nation. — Kehinde Wiley Copy Share Image
There is a political and racial context behind everything that I do. Not always because I design it that way, or because… — Kehinde Wiley Copy Share Image
[My twin brother] he was the star artist of the family as we - as we were growing up. He eventually lost… — Kehinde Wiley Copy Share Image
Going back to that idea that painting sits still and that we give ourselves over to it over time. There's a difference… — Kehinde Wiley Copy Share Image
The erotic and the art historical imagination is something that gets very little play when people talk about my work, and when… — Kehinde Wiley Copy Share Image
Like commercial stuff is sort of cheap and disposable and fun and can be sort of interesting in many ways. I love… — Kehinde Wiley Copy Share Image
Much like teaching art to young art students age 10 to 15 or so on, you have to break it down into bite-sized pieces,… — Kehinde Wiley Copy Share
The erotic and the art historical imagination is something that gets very little play when people talk about my work, and when they rarely… — Kehinde Wiley Copy Share
One of the weirdest things that happened to artists and art criticism was this moment when everyone got cynical and stopped believing in the… — Kehinde Wiley Copy Share
At its best, what art does is, it points to who we as human beings and what we as human beings value. And if… — Kehinde Wiley Copy Share
My style is in the 21st century. If you look at the process, it goes from photography through Photoshop, where certain features are heightened,… — Kehinde Wiley Copy Share
I think the world that I grew up in was like being in this sort of magical artistic garden. — Kehinde Wiley Copy Share
It was something that came sort of matter-of-factually. Because there - it's like really - real honest engagement with the people around me and… — Kehinde Wiley Copy Share
We're wired to be empathetic and to care about the needs of others, but also to be curious about others. And I think that's… — Kehinde Wiley Copy Share
Painting is situational. And my particular situation exists within gender, race, class, sexuality, nation. — Kehinde Wiley Copy Share
There were certain expectations that were assumed of me as a young black American 20th-century - then 20th-century artist. — Kehinde Wiley Copy Share
I think, something that you might be able to locate in the work that I'm creating today: the ability to look at a black… — Kehinde Wiley Copy Share
I remember the first time I went to the Los Angeles County Museum of Art and saw a Kerry James Marshall painting with black… — Kehinde Wiley Copy Share
I believe that artists should be part of the culture. I think that my work clearly bears that out. — Kehinde Wiley Copy Share
Just physically, if you looked at the house that I grew up in, my mother created this greenhouse. And surrounded the entire property. And… — Kehinde Wiley Copy Share