People have been declaring stop-motion dead for a generation. But living in the digital age, people appreciate the art of craft, or… — Travis Knight Copy Share Image
Animation has been ghettoized through the years by giving the impression we only do the same kind of stories. — Travis Knight Copy Share Image
One of the things my dad told me when I was growing up was, 'Find your calling. Find what you're meant to… — Travis Knight Copy Share Image
One of the things that gives stop-motion its inherent magic is that you're seeing something imperfect and thus undeniably human - because… — Travis Knight Copy Share Image
Our ambition is to be the center of independent animation filmmaking; to be the bravest animation studio in the world. — Travis Knight Copy Share Image
Stop-motion is filmmaking at the pace of a glacier. In live action, you're moving so quickly. — Travis Knight Copy Share Image
I always loved that solitary experience of making things. There's a solitary aspect to animating... It's ultimately the animator and the puppet… — Travis Knight Copy Share Image
Stop-motion is sort of the redheaded stepchild of animation. But it's incredibly beautiful. — Travis Knight Copy Share Image
Historically, stop-motion animation has had a jerky-jerky quality, which is a constant reminder to audiences that they're looking at artificial objects. It… — Travis Knight Copy Share Image
When you allow an animator to focus on a portion of the film and really understand the arc of the scene, what's… — Travis Knight Copy Share Image
Very few people view stop motion the way we do. We really try to use it - and animation generally - as… — Travis Knight Copy Share Image
We use technology in service of the art, as a storytelling tool - and if we want to do something that's never… — Travis Knight Copy Share Image
When you look back over 100 years when stop-motion was really at the dawn of cinema, a lot of the ways it… — Travis Knight Copy Share Image
We're not purists about stop-motion. If there's a tool we can use that makes more sense to bring something to life in… — Travis Knight Copy Share Image
Coming from the world of animation, every single line counts; every single gesture counts. You put thought into every single one of… — Travis Knight Copy Share Image
A fundamental and unfortunate part of being alive is to suffer loss and to suffer grief. — Travis Knight Copy Share
Our ambition is to be the center of independent animation filmmaking; to be the bravest animation studio in the world. — Travis Knight Copy Share
If you look at 'Coraline' and you look at 'ParaNorman' certainly you can tell that there are threads of the same DNA between those… — Travis Knight Copy Share
I fully believe that representation and inclusion matters... and that's why on all of our films, we've featured diverse casts, and that actually is… — Travis Knight Copy Share
I always loved that solitary experience of making things. There's a solitary aspect to animating... It's ultimately the animator and the puppet coaxing a… — Travis Knight Copy Share
When you think of the warm grandmotherly type of character, you don't think of Elaine Stritch. — Travis Knight Copy Share
When we started on 'Coraline,' there was a whole host of things that we had no idea how we were going to do. Because… — Travis Knight Copy Share
When you look back over 100 years when stop-motion was really at the dawn of cinema, a lot of the ways it developed was… — Travis Knight Copy Share
This medium of stop-motion, it can be much more than it's been kind of defined as - it's not just a creaky and anachronistic… — Travis Knight Copy Share
I think there's an unfortunate thing where a lot of content geared towards kids and families is watered down, dumbed down. — Travis Knight Copy Share
People have been declaring stop-motion dead for a generation. But living in the digital age, people appreciate the art of craft, or working with… — Travis Knight Copy Share
I won't say which one, but one shot on 'Kubo' took two months to get the expression right. It's ridiculous on some level. — Travis Knight Copy Share
If you go back and look at those films, movies like 'Bambi' and 'Pinocchio,' there are elements that are incredibly dark. Yet no one… — Travis Knight Copy Share
