--- title: "Meaning & Key Takeaway of: I [...] suggest considering Byron as a…" description: "\"“I [...] suggest considering Byron as a Scottish poet – I say ’Scottish’, not ’Scots’, since he wrote in English. The one poet of his time with whom he..." image: "https://sms4smile.com/quotes/i/15a/t-s-eliot-2-1761_byron_i-suggest-considering-byron-as-a-scottis_1943548.jpg" --- # I \[...\] suggest considering Byron as a Scottish poet – I… ![“I [...] suggest considering Byron as a Scottish poet – I say ’Scottish’, not ’Scots’, since he wrote in English. The one poet of his time with whom he could be considered to be in competition, a poet of whom he spoke invariably with the highest respect, was Sir Walter Scott. I have always seen, or…” quote by T.S. Eliot](https://sms4smile.com/quotes/i/15a/t-s-eliot-2-1761_byron_i-suggest-considering-byron-as-a-scottis_1943548.jpg) [Download](https://sms4smile.com/quotes/i/15a/t-s-eliot-2-1761_byron_i-suggest-considering-byron-as-a-scottis_1943548.jpg) [Open image](https://sms4smile.com/quotes/i/15a/t-s-eliot-2-1761_byron_i-suggest-considering-byron-as-a-scottis_1943548.jpg) > ““I \[...\] suggest considering Byron as a Scottish poet – I say ’Scottish’, not ’Scots’, since he wrote in English. The one poet of his time with whom he could be considered to be in competition, a poet of whom he spoke invariably with the highest respect, was Sir Walter Scott. I have always seen, or imagined that I saw, in busts of the two poets, a certain resemblance in the shape of the head. The comparison does honour to Byron, and when you examine the two faces, there is no further resemblance. Were one a person who liked to have busts about, a bust of Scott would be something one could live with. There is an air of nobility about that head, an air of magnanimity, and of that inner and perhaps unconscious serenity that belongs to great writers who are also great men. But Byron – that pudgy face suggesting a tendency to corpulence, that weakly sensual mouth, that restless triviality of expression, and worst of all that blind look of the self-conscious beauty; the bust of Byron is that of a man who was every inch the touring tragedian. Yet it was by being so thoroughgoing an actor that Byron arrived at a kind of knowledge: of the world outside, which he had to learn something about in order to play his role in it, and of that part of himself which was his role. Superficial knowledge, of course: but accurate so far as it went. Of a Scottish quality in Byron’s poetry, I shall speak when I come to Don Juan . But there is a very important part of the Byronic make-up which may appropriately be mentioned before considering his poetry, for which I think his Scottish antecedence provided the material. That is his peculiar diabolism, his delight in posing as a damned creature – and in providing evidence for his damnation in a rather horrifying way. Now, the diabolism of Byron is very different from anything that the Romantic Agony (as Mr Praz calls it) produced in Catholic countries. And I do not think it is easily derived from the comfortable compromise between Christianity and paganism arrived at in England and characteristically English. It could come only from the religious background of a people steeped in Calvinistic theology.”” [T.S. Eliot](https://sms4smile.com/quotes/author/t-s-eliot-2/) ## About This Quote This interpretation was drafted with AI assistance. It is one reading of the quote, not the author's own explanation. Eliot contrasts Byron’s flamboyant, self‑conscious persona with the dignified, noble image of Walter Scott, noting Byron’s theatricality and superficial knowledge as both a strength and a flaw. **In simple terms:** Eliot compares Byron’s dramatic, shallow style to Scott’s noble, steady presence, highlighting Byron’s self‑aware tragedy. Key Takeaway Recognize the limits of theatrical knowledge and seek deeper understanding. Themes literature personality contrast Mood analytical reflective Type critical interpretive When to use this quote - academic analysis - literary criticism - personal reflection Key Concepts Romanticism self‑consciousness theatricality Questions to Reflect On - How does theatricality affect authenticity? - Can superficial knowledge ever be sufficient? A Different Perspective Byron’s self‑awareness can mask genuine insight; his depth may be superficial. ★ ★ ★ ★ ★ No ratings yet [Calvinism](https://sms4smile.com/quotes/about/calvinism/) [Great men](https://sms4smile.com/quotes/about/great-men/) [Poetry](https://sms4smile.com/quotes/about/poetry/) [Religion](https://sms4smile.com/quotes/about/religion/) [Romanticism](https://sms4smile.com/quotes/about/romanticism/) [Scottish](https://sms4smile.com/quotes/about/scottish/) ## Related quotes > [With the single exception of Homer, there is no eminent writer, not even Sir Walter Scott, whom I can despise so entirely as I…](https://sms4smile.com/quotes/george-bernard-shaw/with-the-single-exception-of-homer-there-is-no-eminent-writer-not/) [George Bernard Shaw](https://sms4smile.com/quotes/author/george-bernard-shaw/) > [“Eva knows I'm terra incognita and explores me unhurriedly, like you did. Because she's lean as a boy. 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Eliot](https://sms4smile.com/quotes/author/t-s-eliot-2/) > [“I said to my soul, be still, and wait without hope For hope would be hope for the wrong thing; wait without love For…](https://sms4smile.com/quotes/t-s-eliot-2/i-said-to-my-soul-be-still-and-wait-without-hope-for-hope-would-be-2/) [T.S. Eliot](https://sms4smile.com/quotes/author/t-s-eliot-2/) [Explore all 206 T.S. Eliot quotes ](https://sms4smile.com/quotes/author/t-s-eliot-2/) ## More Byron quotes > [You know what really made me sick? 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Rizzolo > [Most poetry is the utterance of a man in some state of passion, love, joy, grief, rage, etc., and no doubt this is as…](https://sms4smile.com/quotes/w-h-auden/most-poetry-is-the-utterance-of-a-man-in-some-state-of-passion-love/) [W. H. Auden](https://sms4smile.com/quotes/author/w-h-auden/) > [There is no such thing on earth as an uninteresting subject; the only thing that can exist is an uninterested person. Nothing is more…](https://sms4smile.com/quotes/anonymous/there-is-no-such-thing-on-earth-as-an-uninteresting-subject-the-only/) [Anonymous](https://sms4smile.com/quotes/author/anonymous/) > [I'm John Clare now. 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Lord…](https://sms4smile.com/quotes/bernard-lown/martin-buber-suggested-that-evil-prevailed-because-of-the-inability/) [Bernard Lown](https://sms4smile.com/quotes/author/bernard-lown/) > [“poor Byron, whose car had been run over by an autopiloted eighteen-wheeler on Valentine’s Day, about”](https://sms4smile.com/quotes/william-gibson/poor-byron-whose-car-had-been-run-over-by-an-autopiloted-eighteen/) [William Gibson](https://sms4smile.com/quotes/author/william-gibson/) Browse all 95 Byron quotes ```json { "@context": "https://schema.org", "@graph": [ { "@type": "Quotation", "text": "“I [...] suggest considering Byron as a Scottish poet – I say ’Scottish’, not ’Scots’, since he wrote in English. The one poet of his time with whom he could be considered to be in competition, a poet of whom he spoke invariably with the highest respect, was Sir Walter Scott. I have always seen, or imagined that I saw, in busts of the two poets, a certain resemblance in the shape of the head. The comparison does honour to Byron, and when you examine the two faces, there is no further resemblance. Were one a person who liked to have busts about, a bust of Scott would be something one could live with. There is an air of nobility about that head, an air of magnanimity, and of that inner and perhaps unconscious serenity that belongs to great writers who are also great men. But Byron – that pudgy face suggesting a tendency to corpulence, that weakly sensual mouth, that restless triviality of expression, and worst of all that blind look of the self-conscious beauty; the bust of Byron is that of a man who was every inch the touring tragedian. Yet it was by being so thoroughgoing an actor that Byron arrived at a kind of knowledge: of the world outside, which he had to learn something about in order to play his role in it, and of that part of himself which was his role. Superficial knowledge, of course: but accurate so far as it went. Of a Scottish quality in Byron’s poetry, I shall speak when I come to Don Juan . But there is a very important part of the Byronic make-up which may appropriately be mentioned before considering his poetry, for which I think his Scottish antecedence provided the material. That is his peculiar diabolism, his delight in posing as a damned creature – and in providing evidence for his damnation in a rather horrifying way. Now, the diabolism of Byron is very different from anything that the Romantic Agony (as Mr Praz calls it) produced in Catholic countries. And I do not think it is easily derived from the comfortable compromise between Christianity and paganism arrived at in England and characteristically English. It could come only from the religious background of a people steeped in Calvinistic theology.”", "creator": { "@type": "Person", "name": "T.S. 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