--- title: "Meaning & Key Takeaway of: Jonathan Safran Foer’s 10 Rules for…" description: "\"“Jonathan Safran Foer’s 10 Rules for Writing: 1.Tragedies make great literature; unfathomable catastrophes (the Holocaust, 9/11) are even better – try ..." image: "https://sms4smile.com/quotes/i/6ff/jonathan-safran-foer-136_better-place_jonathan-safran-foer-s-10-rules-for-writ_2028408.jpg" --- # Jonathan Safran Foer’s 10 Rules for Writing: 1.Tragedies… ![“Jonathan Safran Foer’s 10 Rules for Writing: 1.Tragedies make great literature; unfathomable catastrophes (the Holocaust, 9/11) are even better – try to construct your books around them for added gravitas but, since those big issues are such bummers, make sure you do it in a way that still focuses…” quote by Jonathan Safran Foer](https://sms4smile.com/quotes/i/6ff/jonathan-safran-foer-136_better-place_jonathan-safran-foer-s-10-rules-for-writ_2028408.jpg) [Download](https://sms4smile.com/quotes/i/6ff/jonathan-safran-foer-136_better-place_jonathan-safran-foer-s-10-rules-for-writ_2028408.jpg) [Open image](https://sms4smile.com/quotes/i/6ff/jonathan-safran-foer-136_better-place_jonathan-safran-foer-s-10-rules-for-writ_2028408.jpg) > ““Jonathan Safran Foer’s 10 Rules for Writing: 1.Tragedies make great literature; unfathomable catastrophes (the Holocaust, 9/11) are even better – try to construct your books around them for added gravitas but, since those big issues are such bummers, make sure you do it in a way that still focuses on a quirky central character that’s somewhat like Jonathan Safran Foer. 2. You can also name your character Jonathan Safran Foer. 3. If you’re writing a non-fiction book you should still make sure that it has a strong, deep, wise, and relatable central character – someone like Jonathan Safran Foer. 4. If you reach a point in your book where you’re not sure what to do, or how to approach a certain scene, or what the hell you’re doing, just throw in a picture, or a photo, or scribbles, or blank pages, or some illegible text, or maybe even a flipbook. Don’t worry if these things don’t mean anything, that’s what postmodernism is all about. If you’re not sure what to put in, you can’t go wrong with a nice photograph of Jonathan Safran Foer. 5. If you come up with a pun, metaphor, or phrase that you think is really clever and original, don’t just use it once and throw it away, sprinkle it liberally throughout the text. One particularly good phrase that comes to mind is “Jonathan Safran Foer.” 6. Don’t worry if you seem to be saying the same thing over and over again, repetition makes the work stronger, repetition is good, it drives the point home. The more you repeat a phrase or an idea, the better it gets. You should not be afraid of repeating ideas or phrases. One particularly good phrase that comes to mind is “Jonathan Safran Foer.” 7. Other writers are not your enemies, they are your friends, so you should feel free to borrow some of their ideas, words, techniques, and symbols, and use them completely out of context. They won’t mind, they’re your friends, just like my good friend Paul Auster, with whom I am very good friends. Just make sure you don’t steal anything from Jonathan Safran Foer, it wouldn’t be nice, he is your friend. 8. Make sure you have exactly three plots in your novel, any more and it gets confusing, any less and it’s not postmodern. At least one of those plots should be in a different timeline. It often helps if you name these three plots, I often use “Jonathan,” “Safran,” and “Foer.” 9. Don’t be afraid to make bold statements in you writing, there should always be a strong lesson to be learned, such as “don’t eat animals,” or “the Holocaust was bad,” or “9/11 was really really sad,” or “the world would be a better place if everyone was just a little bit more like Jonathan Safran Foer.” 10. In the end, don’t worry if you’re unsuccessful as a writer, it probably wasn’t meant to be. Not all of us are chosen to become writers. Not all of us can be Jonathan Safran Foer.”” [Jonathan Safran Foer](https://sms4smile.com/quotes/author/jonathan-safran-foer/) ## About This Quote This interpretation was drafted with AI assistance. It is one reading of the quote, not the author's own explanation. The advice satirically suggests using tragedy, self‑referential characters, and post‑modern tricks to craft compelling narratives. **In simple terms:** Use big events and quirky characters, but be aware of over‑reliance on gimmicks. Key Takeaway Balance depth with originality; avoid forced repetition. Themes creativity literary technique post‑modernism Mood playful critical Type satirical instructional When to use this quote - novel writing - screenplay development - creative workshops Key Concepts storytelling authorial voice meta‑fiction Questions to Reflect On - Will the emphasis on tricks undermine authentic storytelling? - How to integrate tragedy responsibly? A Different Perspective Overuse can lead to shallow, gimmicky work. ★ ★ ★ ★ ★ No ratings yet [Better place](https://sms4smile.com/quotes/about/better-place/) [Blank page](https://sms4smile.com/quotes/about/blank-page/) [Books](https://sms4smile.com/quotes/about/books/) [Foer Writers](https://sms4smile.com/quotes/about/foer-writers-3711473/) [Foer Writing](https://sms4smile.com/quotes/about/foer-writing-3711472/) [Good friend](https://sms4smile.com/quotes/about/good-friend/) [Good friends](https://sms4smile.com/quotes/about/good-friends/) [Jonathan Safran Foer](https://sms4smile.com/quotes/about/jonathan-safran-foer-220766/) [Rules Writing](https://sms4smile.com/quotes/about/rules-writing-429122/) [Writer](https://sms4smile.com/quotes/about/writer/) [Writers Jonathan](https://sms4smile.com/quotes/about/writers-jonathan-3711474/) [Writing](https://sms4smile.com/quotes/about/writing/) [Writing Strong](https://sms4smile.com/quotes/about/writing-strong-1928150/) ## Related quotes > [“I told them all, "If possible, I would be here with only you, forever. 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You can also name your character Jonathan Safran Foer. 3. If you’re writing a non-fiction book you should still make sure that it has a strong, deep, wise, and relatable central character – someone like Jonathan Safran Foer. 4. If you reach a point in your book where you’re not sure what to do, or how to approach a certain scene, or what the hell you’re doing, just throw in a picture, or a photo, or scribbles, or blank pages, or some illegible text, or maybe even a flipbook. Don’t worry if these things don’t mean anything, that’s what postmodernism is all about. If you’re not sure what to put in, you can’t go wrong with a nice photograph of Jonathan Safran Foer. 5. If you come up with a pun, metaphor, or phrase that you think is really clever and original, don’t just use it once and throw it away, sprinkle it liberally throughout the text. One particularly good phrase that comes to mind is “Jonathan Safran Foer.” 6. Don’t worry if you seem to be saying the same thing over and over again, repetition makes the work stronger, repetition is good, it drives the point home. The more you repeat a phrase or an idea, the better it gets. You should not be afraid of repeating ideas or phrases. One particularly good phrase that comes to mind is “Jonathan Safran Foer.” 7. Other writers are not your enemies, they are your friends, so you should feel free to borrow some of their ideas, words, techniques, and symbols, and use them completely out of context. They won’t mind, they’re your friends, just like my good friend Paul Auster, with whom I am very good friends. Just make sure you don’t steal anything from Jonathan Safran Foer, it wouldn’t be nice, he is your friend. 8. Make sure you have exactly three plots in your novel, any more and it gets confusing, any less and it’s not postmodern. At least one of those plots should be in a different timeline. It often helps if you name these three plots, I often use “Jonathan,” “Safran,” and “Foer.” 9. Don’t be afraid to make bold statements in you writing, there should always be a strong lesson to be learned, such as “don’t eat animals,” or “the Holocaust was bad,” or “9/11 was really really sad,” or “the world would be a better place if everyone was just a little bit more like Jonathan Safran Foer.” 10. In the end, don’t worry if you’re unsuccessful as a writer, it probably wasn’t meant to be. Not all of us are chosen to become writers. 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