--- title: "Meaning & Key Takeaway of: Almost immediately after jazz musicians…" description: "\"“Almost immediately after jazz musicians arrived in Paris, they began to gather in two of the city’s most important creative neighborhoods: Montmartre ..." image: "https://sms4smile.com/quotes/i/98d/jeffrey-h-jackson-114625_1920s_almost-immediately-after-jazz-musicians_1122687.jpg" --- # Almost immediately after jazz musicians arrived in Paris… ![“Almost immediately after jazz musicians arrived in Paris, they began to gather in two of the city’s most important creative neighborhoods: Montmartre and Montparnasse, respectively the Right and Left Bank haunts of artists, intellectuals, poets, and musicians since the late nineteenth century…” quote by Jeffrey H. Jackson](https://sms4smile.com/quotes/i/98d/jeffrey-h-jackson-114625_1920s_almost-immediately-after-jazz-musicians_1122687.jpg) [Download](https://sms4smile.com/quotes/i/98d/jeffrey-h-jackson-114625_1920s_almost-immediately-after-jazz-musicians_1122687.jpg) [Open image](https://sms4smile.com/quotes/i/98d/jeffrey-h-jackson-114625_1920s_almost-immediately-after-jazz-musicians_1122687.jpg) > ““Almost immediately after jazz musicians arrived in Paris, they began to gather in two of the city’s most important creative neighborhoods: Montmartre and Montparnasse, respectively the Right and Left Bank haunts of artists, intellectuals, poets, and musicians since the late nineteenth century. Performing in these high-profile and popular entertainment districts could give an advantage to jazz musicians because Parisians and tourists already knew to go there when they wanted to spend a night out on the town. As hubs of artistic imagination and experimentation, Montmartre and Montparnasse therefore attracted the kinds of audiences that might appreciate the new and thrilling sounds of jazz. For many listeners, these locations leant the music something of their own exciting aura, and the early success of jazz in Paris probably had at least as much to do with musicians playing there as did other factors. In spite of their similarities, however, by the 1920s these neighborhoods were on two very different paths, each representing competing visions of what France could become after the war. And the reactions to jazz in each place became important markers of the difference between the two areas and visions. Montmartre was legendary as the late-nineteenth-century capital of “bohemian Paris,” where French artists had gathered and cabaret songs had filled the air. In its heyday, Montmartre was one of the centers of popular entertainment, and its artists prided themselves on flying in the face of respectable middle-class values. But by the 1920s, Montmartre represented an established artistic tradition, not the challenge to bourgeois life that it had been at the fin de siècle. Entertainment culture was rapidly changing both in substance and style in the postwar era, and a desire for new sounds, including foreign music and exotic art, was quickly replacing the love for the cabarets’ French chansons. Jazz was not entirely to blame for such changes, of course. Commercial pressures, especially the rapidly growing tourist trade, eroded the popularity of old Montmartre cabarets, which were not always able to compete with the newer music halls and dance halls. Yet jazz bore much of the criticism from those who saw the changes in Montmartre as the death of French popular entertainment. Montparnasse, on the other hand, was the face of a modern Paris. It was the international crossroads where an ever changing mixture of people celebrated, rather than lamented, cosmopolitanism and exoticism in all its forms, especially in jazz bands. These different attitudes within the entertainment districts and their institutions reflected the impact of the broader trends at work in Paris—the influx of foreign populations, for example, or the advent of cars and electricity on city streets as indicators of modern technology—and the possible consequences for French culture. Jazz was at the confluence of these trends, and it became a convenient symbol for the struggle they represented.”” [Jeffrey H. Jackson](https://sms4smile.com/quotes/author/jeffrey-h-jackson/) ## About This Quote This interpretation was drafted with AI assistance. It is one reading of the quote, not the author's own explanation. Jazz thrived in Paris’s Montmartre and Montparnasse, reflecting divergent cultural visions post‑WWI, with each neighborhood shaping music reception and social identity. **In simple terms:** Paris neighborhoods shaped jazz’s rise. Key Takeaway Explore cultural contexts of music. Themes music culture history Paris neighborhoods identity post‑war society Mood historical analytical Type analysis history When to use this quote - music festivals - tourism - heritage preservation - academic research Key Concepts urban cultural geography social stratification Questions to Reflect On - How did each district’s politics influence jazz? - What modern parallels exist? A Different Perspective Historical focus may overlook individual artists. ★ ★ ★ ★ ★ No ratings yet [1920s](https://sms4smile.com/quotes/about/zz-1920s-371/) [1920S Montmartre](https://sms4smile.com/quotes/about/1920s-montmartre-3046259/) [1930s](https://sms4smile.com/quotes/about/zz-1930s-382/) [Bohemia](https://sms4smile.com/quotes/about/bohemia/) [City streets](https://sms4smile.com/quotes/about/city-streets/) [Different attitude](https://sms4smile.com/quotes/about/different-attitude/) [Different path](https://sms4smile.com/quotes/about/different-path/) [Different paths](https://sms4smile.com/quotes/about/different-paths/) [France](https://sms4smile.com/quotes/about/france/) [French](https://sms4smile.com/quotes/about/french/) [Jazz](https://sms4smile.com/quotes/about/jazz/) [Jazz musician](https://sms4smile.com/quotes/about/jazz-musician/) [Jazz musicians](https://sms4smile.com/quotes/about/jazz-musicians/) [Jazz Paris](https://sms4smile.com/quotes/about/jazz-paris-3046257/) [Montmartre Cabarets](https://sms4smile.com/quotes/about/montmartre-cabarets-3046258/) [Montmartre Represented](https://sms4smile.com/quotes/about/montmartre-represented-3046260/) [Music](https://sms4smile.com/quotes/about/music/) [Musicians Parisians](https://sms4smile.com/quotes/about/musicians-parisians-3046256/) [Paris](https://sms4smile.com/quotes/about/paris/) ## Related quotes > [The closing period of the fifteenth century witnessed the slow but sure increase of the churches of the Brethren. 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It survives by discretion.](https://sms4smile.com/quotes/tennessee-williams/bohemia-has-no-banner-it-survives-by-discretion/) [Tennessee Williams](https://sms4smile.com/quotes/author/tennessee-williams/) > [“The neighborhood-towns were part of larger ethnic states. To the north of the Loop was Germany. To the northwest was Poland. To the west…](https://sms4smile.com/quotes/mike-royko/the-neighborhood-towns-were-part-of-larger-ethnic-states-to-the-north/) [Mike Royko](https://sms4smile.com/quotes/author/mike-royko/) > [“If Prague and the rest of Bohemia, with all their charming hospodas delightful architecture and pretty landscape should become too cosy for you, Ostrava,…](https://sms4smile.com/quotes/terje-b-englund/if-prague-and-the-rest-of-bohemia-with-all-their-charming-hospodas/) [Terje B. Englund](https://sms4smile.com/quotes/author/terje-b-englund/) > [There's very little bohemia in Australia and it's one of the things I miss most about not living in Europe.](https://sms4smile.com/quotes/rachel-ward/there-s-very-little-bohemia-in-australia-and-it-s-one-of-the-things-i/) [Rachel Ward](https://sms4smile.com/quotes/author/rachel-ward/) > [Society may shun bohemia, may put it down, may consider it useless and ineffective, but it is where everything cooks and boils and is…](https://sms4smile.com/quotes/donovan/society-may-shun-bohemia-may-put-it-down-may-consider-it-useless-and/) [Donovan](https://sms4smile.com/quotes/author/donovan/) > [Bohemia is a commune in which the Revolution is over and everyone is a member of the aristocracy](https://sms4smile.com/quotes/kenneth-rexroth/bohemia-is-a-commune-in-which-the-revolution-is-over-and-everyone-is/) [Kenneth Rexroth](https://sms4smile.com/quotes/author/kenneth-rexroth/) > [There are no roads in all Bohemia !](https://sms4smile.com/quotes/gelett-burgess/there-are-no-roads-in-all-bohemia/) [Gelett Burgess](https://sms4smile.com/quotes/author/gelett-burgess/) > [To the extent that I can still believe in Bohemia, which I think is very important to me in some way that I don't…](https://sms4smile.com/quotes/william-gibson/to-the-extent-that-i-can-still-believe-in-bohemia-which-i-think-is/) [William Gibson](https://sms4smile.com/quotes/author/william-gibson/) > [Bohemia and all its works are vanished out of America; or, more exactly, bohemia has migrated to the middle class, and is alive and…](https://sms4smile.com/quotes/cynthia-ozick/bohemia-and-all-its-works-are-vanished-out-of-america-or-more-exactly/) [Cynthia Ozick](https://sms4smile.com/quotes/author/cynthia-ozick/) > [Arnošt Lustig is one of the leading contemporary Czech fiction writers, and certainly the most important Jewish writer of Bohemia to have survived the…](https://sms4smile.com/quotes/josef-skvorecky/arno-t-lustig-is-one-of-the-leading-contemporary-czech-fiction/) [Josef Skvorecky](https://sms4smile.com/quotes/author/josef-skvorecky/) > [ Preserve there \[bohemia\] a hidden seed to glorify thy name. ](https://sms4smile.com/quotes/john-amos-comenius/preserve-there-bohemia-a-hidden-seed-to-glorify-thy-name/) [John Amos Comenius](https://sms4smile.com/quotes/author/john-amos-comenius/) > [I would have preferred to be successful here with a piece that cost me a huge amount of money and effort... rather than sending…](https://sms4smile.com/quotes/camille-claudel/i-would-have-preferred-to-be-successful-here-with-a-piece-that-cost/) [Camille Claudel](https://sms4smile.com/quotes/author/camille-claudel/) ## More 1920s quotes > [“There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among…](https://sms4smile.com/quotes/f-scott-fitzgerald/there-was-music-from-my-neighbor-s-house-through-the-summer-nights-in/) [F. Scott Fitzgerald](https://sms4smile.com/quotes/author/f-scott-fitzgerald/) > [“Everywhere was the atmosphere of a long debauch that had to end; the orchestras played too fast, the stakes were too high at the…](https://sms4smile.com/quotes/malcolm-cowley/everywhere-was-the-atmosphere-of-a-long-debauch-that-had-to-end-the/) [Malcolm Cowley](https://sms4smile.com/quotes/author/malcolm-cowley/) > [“The prosecutor uttered the party line that would distinguish revue from burlesque for the next thirty years. "The difference is movement. On Broadway, unadorned…](https://sms4smile.com/quotes/dita-von-teese/the-prosecutor-uttered-the-party-line-that-would-distinguish-revue/) [Dita Von Teese](https://sms4smile.com/quotes/author/dita-von-teese/) > [“Well, ha-jolly-ha to YOU, young Stiffie-- with knobs on!”](https://sms4smile.com/quotes/p-g-wodehouse/well-ha-jolly-ha-to-you-young-stiffie-with-knobs-on/) [P.G. Wodehouse](https://sms4smile.com/quotes/author/p-g-wodehouse/) > [“As I’ve said before, “the Mod generation”, contrary to popular belief, was not born in even 1958, but in the 1920s after a steady…](https://sms4smile.com/quotes/ruadh-n-j-mcelroy/as-i-ve-said-before-the-mod-generation-contrary-to-popular-belief-was/) [Ruadhán J. McElroy](https://sms4smile.com/quotes/author/ruadh-n-j-mcelroy/) > [The United States created the best popular songs that were ever written, and from the 1920s to the 1940s, it was a renaissance period.…](https://sms4smile.com/quotes/tony-bennett/the-united-states-created-the-best-popular-songs-that-were-ever/) [Tony Bennett](https://sms4smile.com/quotes/author/tony-bennett/) > [In the course of the 1920s and 1930s, great progress was made in the study of the intermediary reactions by which sugar is anaerobically…](https://sms4smile.com/quotes/hans-adolf-krebs/in-the-course-of-the-1920s-and-1930s-great-progress-was-made-in-the/) [Hans Adolf Krebs](https://sms4smile.com/quotes/author/hans-adolf-krebs/) > [Mother's interest in contemporary American artists emerged during the 1920s.](https://sms4smile.com/quotes/david-rockefeller/mother-s-interest-in-contemporary-american-artists-emerged-during-the/) [David Rockefeller](https://sms4smile.com/quotes/author/david-rockefeller/) > [“In the 1920s, Jim Crow Mississippi was, in all facets of society, a kleptocracy.”](https://sms4smile.com/quotes/ta-nehisi-coates/in-the-1920s-jim-crow-mississippi-was-in-all-facets-of-society-a/) [Ta-Nehisi Coates](https://sms4smile.com/quotes/author/ta-nehisi-coates/) > [“How paltry are the traces left behind by a life, even one concentrated around those supposed things of permanence called words. We spend our…](https://sms4smile.com/quotes/john-darnton/how-paltry-are-the-traces-left-behind-by-a-life-even-one-concentrated/) [john darnton](https://sms4smile.com/quotes/author/john-darnton/) > [If I could have lived as an actress in any period, it would have been the 1920s - I would have loved to have…](https://sms4smile.com/quotes/lauren-bacall/if-i-could-have-lived-as-an-actress-in-any-period-it-would-have-been/) [Lauren Bacall](https://sms4smile.com/quotes/author/lauren-bacall/) > [I've loved Alfred Cortot's playing from an early age, and I never tire of hearing his recordings, particularly Chopin and Schumann from the 1920s…](https://sms4smile.com/quotes/stephen-hough/i-ve-loved-alfred-cortot-s-playing-from-an-early-age-and-i-never-tire/) [Stephen Hough](https://sms4smile.com/quotes/author/stephen-hough/) > [“The 1920s was a great time for reading altogether—very possibly the peak decade for reading in American life. Soon it would be overtaken by…](https://sms4smile.com/quotes/bill-bryson/the-1920s-was-a-great-time-for-reading-altogether-very-possibly-the/) [Bill Bryson](https://sms4smile.com/quotes/author/bill-bryson/) > [France has had socialist presidents on and off since the 1920s, and it remains a free country. Socialists have ruled in many South American…](https://sms4smile.com/quotes/max-boot/france-has-had-socialist-presidents-on-and-off-since-the-1920s-and-it/) [Max Boot](https://sms4smile.com/quotes/author/max-boot/) > [I worked hard learning harmony and theory when I was growing up in Chicago in the 1920s.](https://sms4smile.com/quotes/lionel-hampton/i-worked-hard-learning-harmony-and-theory-when-i-was-growing-up-in/) [Lionel Hampton](https://sms4smile.com/quotes/author/lionel-hampton/) [Browse all 72 1920s quotes ](https://sms4smile.com/quotes/about/zz-1920s-371/) ```json { "@context": "https://schema.org", "@graph": [ { "@type": "Quotation", "text": "“Almost immediately after jazz musicians arrived in Paris, they began to gather in two of the city’s most important creative neighborhoods: Montmartre and Montparnasse, respectively the Right and Left Bank haunts of artists, intellectuals, poets, and musicians since the late nineteenth century. Performing in these high-profile and popular entertainment districts could give an advantage to jazz musicians because Parisians and tourists already knew to go there when they wanted to spend a night out on the town. As hubs of artistic imagination and experimentation, Montmartre and Montparnasse therefore attracted the kinds of audiences that might appreciate the new and thrilling sounds of jazz. For many listeners, these locations leant the music something of their own exciting aura, and the early success of jazz in Paris probably had at least as much to do with musicians playing there as did other factors. In spite of their similarities, however, by the 1920s these neighborhoods were on two very different paths, each representing competing visions of what France could become after the war. And the reactions to jazz in each place became important markers of the difference between the two areas and visions. Montmartre was legendary as the late-nineteenth-century capital of “bohemian Paris,” where French artists had gathered and cabaret songs had filled the air. In its heyday, Montmartre was one of the centers of popular entertainment, and its artists prided themselves on flying in the face of respectable middle-class values. But by the 1920s, Montmartre represented an established artistic tradition, not the challenge to bourgeois life that it had been at the fin de siècle. Entertainment culture was rapidly changing both in substance and style in the postwar era, and a desire for new sounds, including foreign music and exotic art, was quickly replacing the love for the cabarets’ French chansons. Jazz was not entirely to blame for such changes, of course. Commercial pressures, especially the rapidly growing tourist trade, eroded the popularity of old Montmartre cabarets, which were not always able to compete with the newer music halls and dance halls. 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