--- title: "Meaning & Key Takeaway of: The novel, then, provides a reduction of…" description: "\"“The novel, then, provides a reduction of the world different from that of the treatise. It has to lie. Words, thoughts, patterns of word and thought, ..." image: "https://sms4smile.com/quotes/i/296/frank-kermode-16485_books_the-novel-then-provides-a-reduction-of-t_306453.jpg" --- # The novel, then, provides a reduction of the world… ![“The novel, then, provides a reduction of the world different from that of the treatise. It has to lie. Words, thoughts, patterns of word and thought, are enemies of truth, if you identify that with what may be had by phenomenological reductions. Sartre was always, as he explains in his…” quote by Frank Kermode](https://sms4smile.com/quotes/i/296/frank-kermode-16485_books_the-novel-then-provides-a-reduction-of-t_306453.jpg) [Download](https://sms4smile.com/quotes/i/296/frank-kermode-16485_books_the-novel-then-provides-a-reduction-of-t_306453.jpg) [Open image](https://sms4smile.com/quotes/i/296/frank-kermode-16485_books_the-novel-then-provides-a-reduction-of-t_306453.jpg) > ““The novel, then, provides a reduction of the world different from that of the treatise. It has to lie. Words, thoughts, patterns of word and thought, are enemies of truth, if you identify that with what may be had by phenomenological reductions. Sartre was always, as he explains in his autobiography, aware of their being at variance with reality. One remembers the comic account of this antipathy in Iris Murdoch Under the Net, one of the few truly philosophical novels in English; truth would be found only in a silent poem or a silent novel. As soon as it speaks, begins to be a novel, it imposes causality and concordance, development, character, a past which matters and a future within certain broad limits determined by the project of the author rather than that of the characters. They have their choices, but the novel has its end. \* \_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_ \* There is a remarkable passage in Ortega y Gasset London essay ' History as a System' (in Philosophy and History, ed. Klibansky and Paton, 1936) which very clearly states the issues more notoriously formulated by Sartre. Ortega is discussing man's duty to make himself. 'I invent projects of being and doing in the light of circumstance. This alone I come upon, this alone is given me: circumstance. It is too often forgotten that man is impossible without imagination, without the capacity to invent for himself a conception of life, to "ideate" the character he is going to be. Whether he be original or a plagiarist, man is the novelist of himself... Among... possibilities I must choose. Hence, I am free. But, be it well understood, I am free by compulsion, whether I wish to be or not... To be free means to be lacking in constitutive identity, not to have subscribed to a determined being, to be able to be other than what one was...' This 'constitutive instability' is the human property lacking in the novels condemned by Sartre and Murdoch. Ortega differs from Sartre on the use of the past; but when he says that his free man is, willy-nilly, 'a second-hand God,' creating his own entity, he is very close to Sartre, who says that to be is to be like the hero in a novel. In one instance the eidetic image is of God, in the other of the Hero.”” [Frank Kermode](https://sms4smile.com/quotes/author/frank-kermode/) ## About This Quote This interpretation was drafted with AI assistance. It is one reading of the quote, not the author's own explanation. The novel imposes structure and causality, limiting the fluid, ever‑changing nature of truth that philosophy seeks. **In simple terms:** Novels shape reality, restricting truth's fluidity. Key Takeaway Recognize narrative limits on truth. Themes fiction philosophy truth reality structure Mood reflective critical inquisitive Type analytical philosophical literary When to use this quote - literary criticism - philosophical analysis - creative writing - teaching literature Key Concepts ontological reduction causality authorial control Questions to Reflect On - How does narrative shape your perception of truth? - Can a story ever fully capture reality? 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One remembers the comic account of this antipathy in Iris Murdoch Under the Net, one of the few truly philosophical novels in English; truth would be found only in a silent poem or a silent novel. As soon as it speaks, begins to be a novel, it imposes causality and concordance, development, character, a past which matters and a future within certain broad limits determined by the project of the author rather than that of the characters. They have their choices, but the novel has its end. * ____________________ * \tThere is a remarkable passage in Ortega y Gasset London essay ' History as a System' (in Philosophy and History, ed. Klibansky and Paton, 1936) which very clearly states the issues more notoriously formulated by Sartre. Ortega is discussing man's duty to make himself. 'I invent projects of being and doing in the light of circumstance. This alone I come upon, this alone is given me: circumstance. It is too often forgotten that man is impossible without imagination, without the capacity to invent for himself a conception of life, to \"ideate\" the character he is going to be. Whether he be original or a plagiarist, man is the novelist of himself... Among... possibilities I must choose. Hence, I am free. But, be it well understood, I am free by compulsion, whether I wish to be or not... To be free means to be lacking in constitutive identity, not to have subscribed to a determined being, to be able to be other than what one was...' This 'constitutive instability' is the human property lacking in the novels condemned by Sartre and Murdoch. Ortega differs from Sartre on the use of the past; but when he says that his free man is, willy-nilly, 'a second-hand God,' creating his own entity, he is very close to Sartre, who says that to be is to be like the hero in a novel. 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