---
title: "4 Colin McArthur Quotes"
description: "Colin McArthur has 4 quotes on SMS4Smile. Browse their most insightful sayings."
image: "https://sms4smile.com/quotes/wp-content/uploads/sms4s/authors/processed/b017/author-colin-mcarthur-67480.jpg"
---

![Portrait of Colin McArthur](https://sms4smile.com/quotes/wp-content/uploads/sms4s/authors/processed/b017/author-colin-mcarthur-67480.jpg)

# Colin McArthur

 **4** quotes in **18** categories

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##  Quotes by Colin McArthur

> [“By 1938, Scotland had for nearly 200 years lived within a classic peripheral identity assigned to it by the artists and ideologues…](https://sms4smile.com/quotes/colin-mcarthur/by-1938-scotland-had-for-nearly-200-years-lived-within-a-classic/)

[Colin McArthur](https://sms4smile.com/quotes/author/colin-mcarthur/)

[1938](https://sms4smile.com/quotes/about/zz-1938-392/)

[Image](https://sms4smile.com/quotes/i/e97/colin-mcarthur-67480_1938_by-1938-scotland-had-for-nearly-200-year_1387250.jpg)

> [“To recall the extent to which Hitchcock was marked by his petit bourgeois interpellation may not radically change the way we read…](https://sms4smile.com/quotes/colin-mcarthur/to-recall-the-extent-to-which-hitchcock-was-marked-by-his-petit/)

[Colin McArthur](https://sms4smile.com/quotes/author/colin-mcarthur/)

[Alfred hitchcock](https://sms4smile.com/quotes/about/alfred-hitchcock/)

[Image](https://sms4smile.com/quotes/i/b17/colin-mcarthur-67480_alfred-hitchcock_to-recall-the-extent-to-which-hitchcock_1655891.jpg)

> [“The gallery context of Scotch Myths puts the objects on display in an interrogatory framework in a way that their presence in…](https://sms4smile.com/quotes/colin-mcarthur/the-gallery-context-of-scotch-myths-puts-the-objects-on-display-in-an/)

[Colin McArthur](https://sms4smile.com/quotes/author/colin-mcarthur/)

[Militarism](https://sms4smile.com/quotes/about/militarism/)

[Image](https://sms4smile.com/quotes/i/95f/colin-mcarthur-67480_militarism_the-gallery-context-of-scotch-myths-puts_2303174.jpg)

> [“Scotland was not imune to these developments, but since their role in France, Germany, Itay and Poland was to provide the ideological…](https://sms4smile.com/quotes/colin-mcarthur/scotland-was-not-imune-to-these-developments-but-since-their-role-in/)

[Colin McArthur](https://sms4smile.com/quotes/author/colin-mcarthur/)

[Focus on the future](https://sms4smile.com/quotes/about/focus-on-the-future/)

[Image](https://sms4smile.com/quotes/i/d7c/colin-mcarthur-67480_focus-on-the-future_scotland-was-not-imune-to-these-developm_2345641.jpg)

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                        "text": "“By 1938, Scotland had for nearly 200 years lived within a classic peripheral identity assigned to it by the artists and ideologues of the great European core cultures through the mode of Romanticism and their control of the means of (ideological) production. However, the brute fact of subsequent uneven economic development compelled the Scots to bring into collision with that historically assigned identity a new-fashioned identity more appropriate to a dynamic modern nation. Great national moments of self-presentation, such as the Glasgow Empire Exhibition of 1938, were the occasions when the ongoing dialectic of modern/urban against rural/ancient emerged in its most public and delirious form. Such occasions therefore hold a political lesson. The process of speaking with two voices - the fissures; the uncertainties; the grating shifts of gear from one discourse to another - assert once more, the fluid, unstable character of national identity. Such occasions proclaim that national identity is not a set of inborn, natural characteristic in a people, but the product of that people's history. With the realisation of instability comes the realisation of the possibility of change.”",
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                        "text": "“To recall the extent to which Hitchcock was marked by his petit bourgeois interpellation may not radically change the way we read his films. It should, however, remind us that his British films in particular come out of a highly class-structured and class-conscious social formation and are likely to bear the traces of this, even if only in their interstices.”",
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                        "text": "“The gallery context of Scotch Myths puts the objects on display in an interrogatory framework in a way that their presence in souvenir shops does not. Similarly, the exhibition catalogue explicitly poses the correct questions and reinserts the objects into a history spanning the mid-eighteenth century to the present day: James Macpherson (1736-96), Ossianism; European Romanticism; Walter Scott (1771-1832), the appropriation of Scott and Scotland by Europe and America; the internal reappropriation by Scotland itself of earlier external appropriations, via the emergence of Kailyard; Scottish militarism in the context of nineteenth-century colonial wars, both World Wars and beyond; the dissemination of the ensemble of images and categories of thought within successive practices and technologies - literature, lithography, photography, the postcard, the music hall, films, television. It is one thing to see the imagery of Tartanry/Kailyard in its so-called natural habitats of the souvenir shop or the wall of a Scottish home; it is quite another thing to see it reproduced on orange crates from California.”",
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                        "text": "“Scotland was not imune to these developments, but since their role in France, Germany, Itay and Poland was to provide the ideological amunition to further political (and sometimes military) advance, there was no obvious use for them in Scotland, given that its polity and economy had already been defined in 1707. As a cosequence, the characteristic tropes of romantic nationalism were, in the Scottish context, diverted into non-political and non-military (in the sense of nationalist struggle) channels. This produced a particularly demented, introverted and sentimental romanticism which, since it could not focus on the future, oriented itself obsessively to the past. To the extent that this introverted nationalism found a contemporary role, it was in the service of British imperialism within which Scottish administrators and soldiers were disproportionately prominent.”",
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